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One DVD deals with an interview of Ed Sanders recollections of his contacts with da levy, the other a levyfest held at Cleveland State University of poetry readings and reminiscences of da levy by his friends. -- Source of annotation: Marvin or Ruth Sackner.

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This collection depicts a detail of a d.a.levy painting, "Non-Sectarian Crucifiction," that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This collection was offered for sale by d.a.levy's nephew Jim Levey through Jeff Maser who compiled an exceptional annotated bibliography. Kent State University was the recipient of this collection.Maser contributed the introduction: Provenance: Material in this collection comes from three sources-1. items from d.a. levy's apartment, collected by his brother, James after d.a.'s death; 2. the collection of James Levey and his wife Charlene; and, 3. the collection of d.a.'s parents, Joseph J. and Carolyn Levey. These three collections were later united by levy's niece, Sandy (via inheritance) who then left it to her brother, Jim Levey, on behalf of whom the collection is being offered here.Condition: The condition of all items in the collection is uniformly very near fine or better, with almost every item being in fine condition, with no foxing, or stains, or insecting, or other problems associated with paper being stored for long periods of time in an often wet and cold climate....

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The abstract oil painting on brown paper that is collaged onto cover was done by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

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Collage cover of photographic b&w reproductions of female nudes was composed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

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Most of the copies of the first printing were confiscated by the Cleveland Police in the notorious raid of Jim Lowell's book store in 1966. This second printing is "lightly revised." It differs from the first edition by most pages consist of white rather than colored paper stock with less overall pages but stilll a rarity. -- Source of annotation: Marvin or Ruth Sackner.

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d.a. levy did the cover drawing that depicts abstract markings. This book is stored in a d.a. levy box. -- Source of annotation: Marvin or Ruth Sackner.

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This work kists books seized by Cleveland police from Asphodel Book shop. almost all the books and several of the magazines are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The recto of this work sets forth the context of the trial and the verso reproduces a poem by Joe Brainard relating to peace and tranquility. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents One copy placed has been placed in bill bissett box, the otherin blewointment press box. John W. Doull: BISSETT, Bill. The Last Blewointment Anthology 1963-1983. Volume 1 : AC-LE.(Toronto : Nightwood Editions, 1985). Pp (2),[1]-123,(3). Illustrated. 4to, illustrated blue card covers. "During its twenty-year history blewointment offered unprecedented access to publication to a wide variety of artistsand writers, among them some of Canada's most important and influential poets. In "the last blolewointment anthology," bill bissett has selected excerpts from the press's vast output of books, magazines and anthologies. In his introduction, he explains how the press came into existence and how it brought the work of bissett and many others before the public. "the last blewointment anthology" has been divided into two volumes. Volume 1- "AC to LE"- features Milton Acorn, Margaret Atwood, Margaret Avison, Deidre Ballantyne, Earle Birney, bill bissett, ooljah bissett, Yvonne Bond, Hart...

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In this book, Fox critically analyzes the poetic works of d.a. levy and his circle. -- Source of annotation: Marvin or Ruth Sackner.

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The silkscreen cover print of d.a.levy was done by Tom Kryss. The collages were first published in Quixote Vol.4 No.6. -- Source of annotation: Marvin or Ruth Sackner.

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d.a. levy provided an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

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The theme of this poem deals with Zen and an afterlife place whose description was inspired by the Tibetan book of the Dead. The poem has five parts; the first two which were published in 1965 have been extensively revised and three parts added. The latter are bound upside down. Three drawings are reproduced in the book. The cover, a watercolor by levy, has a darker, more developed structure than the other copy of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The painted drawing on the cover was done by levy. Bill Wyatt, is a British poet who carried on a correspondence with levy. Several letters from this interaction are held by the Sackner Archive. Printed by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.