This is a reprint of the book of the same title on white paper stock printed in red ink. Original copies are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

d.a. levy owned Renegade Press. -- Source of annotation: Marvin or Ruth Sackner.

The painted cover by Mara has a resemblance to a Morris Louis color field painting. -- Source of annotation: Marvin or Ruth Sackner.

levy describes a poet friend (RD) who is the only white man living and trying to make a difference in a black Cleveland neighborhood. He also doesn't want Inman to list his address in kauri (Inman's magazine) because he wants to be left alone to work. Inman writes back that he respects RD's intentions but rejects the poem because of its quality. -- Source of annotation: Marvin or Ruth Sackner.

Some of the pages inside untitled(1964) were based upon images used for levy's 6 cleveland prints (renegade press, 1964). There were 5 copies produced probably each one different from the other. This edition reprints copy #2. Reprints: Book 14T (1966), The Para-Concrete Manifesto (1966), Untitled (include pages from 6 Cleveland Prints, 1964), and the envelope, mailed originally to Ian Hamilton Finlay, with the holograph address reproduced here and contains The Egyptian Prayer Wheel (1966). -- Source of annotation: Marvin or Ruth Sackner.

This book includes reproductions of "Book 14 T that consisted of abstract markings rendered on the mimeograph machine. The book reproduces 'The Para-Concrete Manifesto (1996)' is from the original mimeograph printing. Some of the pages inside 'untitled (1964)' also reproduced in the book were based upon images used for levy's '6 cleveland prints' (renegade press, 1964). There were 5 copies published; probably each one different from the other. Here, copy #2. is reprinted. The pages are colored abstract markings with some containing letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

The back cover design was done by Wally Depew. Book includes all arrest & trial news articles, (5 inlaid Kryss silkscreens of the original book are not included), critques by levy's peers, comments by 40 of his friends and fellows, including Bukowski, Blazek, Richmond, et al. All major works of levy printed to date are included: CLEVELAND UNDERCOVERS, NORTH AMERICAN BOOK OF THE DEAD, RECTAL EYE VISOONS, PRAPS 1 AND KIBBUTZ IN THE SKY. According to rjs' introduction, 25 signed copies with extra pages were to be produced. The Sackners are unaware that this special edition was ever published. However, the Sackner Archive holds stapled pages with the cover title "you can have your fucking city bak." -- Source of annotation: Marvin or Ruth Sackner.

Printed by d.a. levy and stored in his binder. -- Source of annotation: Marvin or Ruth Sackner.

Printed by d.a. levy. This card has a message from levy to Will Inman on the verso and is described as a citation under d.a. levy. Stored in d.a. levy binder. -- Source of annotation: Marvin or Ruth Sackner.

This article presents a brief history of levy's stay in Cleveland culminating in a proclamation by its Mayor and Cuyagoaga County commissioners of February 14, 1986 as "D.A. Levy Poetry Day." -- Source of annotation: Marvin or Ruth Sackner.

This book includes a reprint of The Box Lunch Travel-og of Fremont Gulch and a photocopied colored reproduction of a painting in the collection of Ingrid Swanberg. The insert folder contains reprints of A marijuana ready-made, Hapy Hiroshima Day, and postcard (ganglia 5 cent piece). The cover was designed by mike schaefer. -- Source of annotation: Marvin or Ruth Sackner.

According to Kent Taylor in a personal communication (1997) to the Sackners, this was d.a levy's second book. Further, he believes that "Dave" in the inscription was Dave Williams, a boy friend of Taylor's first wife, levy's cousin, Joan. Several copies were destroyed from the run and Jim Lowell estimated that only 10-15 copies remained intact. -- Source of annotation: Marvin or Ruth Sackner.