After the breakup of Yugoslavia in 1991, Ljubljani became the capital of the sovereign country of Slovenia. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists artists' books from the 20th century. -- Source of annotation: Marvin or Ruth Sackner.

Includes first published English translation of Mallarme's Un Coup de Des by Daisy Aldan. The Sackner Archive also holds the separately issued hard cover book of Aldan's translation, the Cosmopolis version of 1897 and the 1914 version published after Mallarme's death. -- Source of annotation: Marvin or Ruth Sackner.

Consists of an introduction into the history of concrete Poetry. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts images of each one of the works offered for sale. -- Source of annotation: Marvin or Ruth Sackner.

DeCampos responds to a classification system proposed by Houedard by pointing out "visual organization of words, with an overemphasis on relations of proximity and resemblance between them, leads ineluctably to an equivalent overemphasis on sound, implying a dynamical use of paronomasia and alliteration that explains why Brazilian young musicians have been so much interested in many of our seeming eyepoems, and in the making of oral presentations for them." He states he wrote to Hugh Kennerabout Ezra Pound and received a sympathetic response. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of critical texts that are presented in experimental typographic layouts. A check list of contributors to the exhibition is also included. -- Source of annotation: Marvin or Ruth Sackner.

Contains listing of Cosmopolis No.17 which includes the first publication of Un Coup de Des. Also, lists a run of the periodical Dire and Ur, publications held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Listed three typed letters (4pp) by Ian Hamilton Finlay to Larry Wallrich that were priced at $350. -- Source of annotation: Marvin or Ruth Sackner.

This book reprints Tablada's poems published in periodicals and books in chronologic order. Tablada's book, Li-Po y Otros Poemas published in Caracas in 1920 with a visual poem by Marius de Zayas is reprinted in entirety. The poems of this 30 page book are printed mainly in a calligraphic font and are reminiscent of the calligrames of Apollinaire. Thereafter, up until the last poems written in 1933, Tablada returned to conventional poems. -- Source of annotation: Marvin or Ruth Sackner.

Newell devotes entire chapters to the analysis of works by Apollinaire and Dylan Thomas. -- Source of annotation: Marvin or Ruth Sackner.

A major portion of this museum catalogue is devoted to the exhibition "Poesure et Peintrie." The Sackner Archive holds the exhibition catalogue. The introduction was written by Christian Poitevin (aka Julien Blaine), Deputy Mayor with responsibility for the Arts and Culture. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of French Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Marrocchi provides an extensive analysis of Mallarme's "Un Coup de Des." The final section of the book depicts reproductions of concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This translation, authorized by Gallimard (publishers) and Mallarme's heirs as the first in English, was first published in Folder No.4, 1956, Tiber Press. This periodical is also held by the Sackner Archive. According to Aldan, each page of the poem forms an ideogram -- an image of whiteness of sky and ocean, storm waves,crests and troughs, male and female, wing and bird, sail and boat, etc. The four themes, UN COUP DE DES, JAMAIS, N'ABOLIRA, AND LE HASARD are equivalent to four movements of a symphony. They symbolize many phases of life and time, e.g., four divisions of a day, four seasons, four stages of total time, etc. and are an important part of the pattern that unifies the poem. -- Source of annotation: Marvin or Ruth Sackner.

This German translation of Un Coup De Des is illustrated with geometrical drawings by Erber which are intended to reflect the mathematical, precise construction of the poem. The colophon states that there are 300 numbered, signed copies but this copy must be out of series since it is unnumbered and unsigned. -- Source of annotation: Marvin or Ruth Sackner.