Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1932. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1927. -- Source of annotation: Marvin or Ruth Sackner.

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The drawing was made by Cangiullo. -- Source of annotation: Marvin or Ruth Sackner.

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The dvd is documentation about Falling Out of the Sky - the 9/11 disaster. -- Source of annotation: Marvin or Ruth Sackner.

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The editor states that the 17 essays in this book are concerned with poetry readings, the sound of poetry and the visual performance of poetry. They "offer original and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art." Johanna Drucker contributed a chapter titled "Visual Performances of the Poetic Text" in which she describes and illustrates several poems of early 20th century visual poetry movements including an in depth analysis of "Poesie de mots inconnus" by Iliazd, a book that is held by the Sackner Archive. A listing of audio resources and a bibliography are included. -- Source of annotation: Marvin or Ruth Sackner.

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Signed by the poet's widow. -- Source of annotation: Marvin or Ruth Sackner.

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This book is an anthology of visual and picture poems made by students from kindergarten to the 12th grade living in Seattle, Washington. The poems and teaching methods are analyzed by the author who was a poet-in-residence in the school system in Seattle. In the final chapter, he presents and comments on poems by established adult poets. -- Source of annotation: Marvin or Ruth Sackner.

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The complete text of Karel Teige's typographic manifesto, published in Typografia No.34, 1927, is reprinted at the end of this catalogue in German. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work is a typographic tour de force in which the accordion folds are placed such that the text can be unfolded as a horizontal continuum. The type is printed in red, black, blue, and orange highly saturated colors. The poem is based upon a performance piece by Duke that completed in 1973. The poem describes Dada in Zurich in 1916, in the winter in Berlin in 1918-1919 during the hardships of WWI, as Dada slept from 1923-1945, and in Australia in contemporaneous times. The Sackner copy is one of 25 in a portfolio; No.1 was in a designer binding, No.26-29 were unbound, and 5 copies were hors commerce. Except for the title which is in the German language, the text is in English. The book was conceived and designed in a constructivist lay-out by Mike Hudson (who never met Duke according to a personal communication to the Sackners) and set in a wide range of lead and wood sans serif types by Jadwiga Jarvis. The portfolio has papercard inserts for two pamphlets on the inside front...

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An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

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This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.