Joaquim Molas contributed a lengthy introductory biographic essay. This is the 22nd printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

This series which was edited by Piero Pacini consists of reprints of 26 exhibition catalogs of the Italian Futurists from galleries in Milan, Rome, Naples, Florence, London, Berlin, Rotterdam, Brussels, and Paris. -- Source of annotation: Marvin or Ruth Sackner.

Pignotti provides an extensive historic review of visual/verbal material including discussions of major art movements as well as fashions and pornography. Contemporary presentations relate primarily to Italian poets and artists. Corrado D'Ottavi's collage 'Lei e artista?' depicted on page 279 of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.

The author describes "The Naked One Among the Clad" as Kemensky's first ferroconcrete book of poetry. She also cites and translates into English "Futuristy-Hylaea" and "Constantinople" (probably the first ferroconcrete poem). Both are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The following works depicted in this book are held by the Sackner Archive: "Les Mots en Liberte Futuriste" by Marinetti, "BIF&ZF+18" by Soffici, "Karawane" by Hugo Ball, "Dada Almanach," "Der Dada," "Program for a Dada-Soiree" by Schwitters, "Ledentu le Phare" by Iliazd with collage cover by Gronowsky, "Die Kunstismen" by Lissitzky, and "Utopia" by Itten. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is divided into Toward Futurism (1880-1909), Futurism (1909-1918) and Futurisms (1909-1930). It also contains a dictionary of Futurism, a chronology of the movement, color reproductions, listing of works exhibited, bibliography and index. Books depicted and once held by the Sackner Archive include Delauney's "Transsiberian Railroad" and Depero's "Bolted Book." The Sackner Archive still holds"Blast," "The End of the World," "BIF&ZF+18" as well as others by Cangiullo & Marinetti. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. This catalogue consisted of works from the collection of Giovanni Lista. Three Parole In Liberta (words-in-liberty) poems by Rognoni in this sale were purchased by the Sackner Archive. The items offered for sale featured Futurist periodicals and works by Rognini. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This book mainly deals with the origins of Futurist theory and visual art and the first generation of Futurist artists. Scant attention is directed to Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Anne Coffin Hanson who planned this exhibition in conjunction with her graduate students who contributed essays to this catalog on such topics as Marinetti's Parole in Liberta and the Futurist Collage Esthetic (Christine Poggi), Luce Futurista: Art for an Electric Age (Anne Temkin), and Words-In-Freedom, & Cangiuillo's Dancing Letters (Antonella Ansoni). Several of Marinetti's unpublished Parole in Liberta are reproduced as well as pages from a book by Rognoni. -- Source of annotation: Marvin or Ruth Sackner.

This collection was acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.