This catalogue is a listing and description of works for sale written in a cursive script. -- Source of annotation: Marvin or Ruth Sackner.

Introduction and editing by Smaro Kamboureli and Robert Kroetsch. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of variations on small o's forming the letter 'H.' This book was originally published in 26 lettered copies for the "On the H orizon" celebration in memory of bp Nichol held at Emily Carr College, Vancouver, September 1998. -- Source of annotation: Marvin or Ruth Sackner.

This piece was published in Rampike Vol.6 No.1. curry includes 5 handwritten Haiku poems by Hood (collaged onto pages) written as varients in House of Cards, Runaway Spoon & form the basis for curry's critical text. In a letter to the Sackners, curry notes that Jirgins (editor Rampike) "fucked it up by typesetting all the poems (including the bp Single letter translation!)(i'd provided him with a photocopy of bp's drawn version), rendering my discussion of Hood's handwriting superfluous..." -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: Wording the Silent Art collects Barbara Caruso's essays on the contemporary art scene, including controversial issues like the National Gallery's purchase of Barnett Newman's Voice of Fire and the recent transformation of public galleries from institutions of preservation to places of pop entertainment and the effect this has on art. She also writes with elegance and verve on the subject of her own painting, on painting practice, and on how to look at visual art. Her generous and wise advice to a young painter is worth the price of this book alone. Caruso's is a unitary, clear, communicating voice, and she brings to the reader a marvellous and accessible vision of the essential nature of art in our lives. -- Source of annotation: Marvin or Ruth Sackner.

Includes a section of poems by Jack Micheline. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Curvd H&Z No.234. The image was drawn by bp Nichol in 1973. -- Source of annotation: Marvin or Ruth Sackner.

The poem is difficult to read because it is written in three dimensions but appears to state "flat feet." It is also listed as Curvd H&Z No.257 and One Cent Series No.134. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Curvd H&Z No.266. The images are abstract variations on the letter "H." -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #63. -- Source of annotation: Marvin or Ruth Sackner.

Printed as gift for family and friends, Christmas 1987. The back cover depicts a photograph of the Nichol's family taken by Sean O'Huigin. Sarah was a baby then, held by bp. -- Source of annotation: Marvin or Ruth Sackner.

Printed as gift for family and friends, Christmas 1987. -- Source of annotation: Marvin or Ruth Sackner.

The poetry is taken from the Martyrology Bo(o)ks 7 (VII). This book differs from a book with the same title, published posthumously by Eleanor Nichol in 1990, that has but 7 rather than 15 pages. The two concrete poems in this book are disintegrating letter pictures. -- Source of annotation: Marvin or Ruth Sackner.