Probably published in an edition of 400 copies. The title on the cover is "Collborations" and that on the title page "collbrations." -- Source of annotation: Marvin or Ruth Sackner.

Cover was designed by bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

This issue was to have been a issue of a single poem by Christopher James along with an award of $100 but James died in a canoeing accident in 1975. Instead the book in this issue by bp Nichol is an excerpt from Martyrology Book V: Chain 0. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. This piece was later published in a 2nd edition as Curvd H&Z No.195 that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Probably published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

This poem was executed by bp Nichol in 1980 and published about that time. It was originally issued as Gronk Intermediate Series No.21. According to jw curry in ROOM 3O2 10D 2007, this should have been labeled No.6 rather than No.5. -- Source of annotation: Marvin or Ruth Sackner.

This poem, the 1st edition, was executed by bp Nichol in 1980 and published about that time. The Santa Claus depicted on the cover of the envelope is an offset print collaged to the envelope. -- Source of annotation: Marvin or Ruth Sackner.

This poem was executed by bp Nichol in 1980 and first published at that time; this second edition differs from the current copy in that the Santa Claus on the cover of the envelope in the first edition is an offset print collaged to the envelope whereas in the current copy, Santa Claus is a rubberstamped image. -- Source of annotation: Marvin or Ruth Sackner.

This issue also served as an exhibition catalogue of Nichol's visual art at the Vivaxis Gallery, Toronto, in December 1979. -- Source of annotation: Marvin or Ruth Sackner.

A page depicts handwritten "H's" evolving to a handwritten "I's." This is the final number of this series. -- Source of annotation: Marvin or Ruth Sackner.

This book was first published in an edition of two copies in 1966 as a collaboration with David Aylard. One copy is in the Hans Sohm Archives and the other was retained by Nichol. It was made with a combination of rubberstamping and mimeography. The present book was composed with a combination of rubberstamping and photocopying. -- Source of annotation: Marvin or Ruth Sackner.

This work was designed by bp Nichol except for one piece by Andrew Suknaski. Two copies have the printed envelope intact, in another copy, the envelope is frayed, and in the remaining copy, the envelope is absent. The actual edition size was probably 300 copies. -- Source of annotation: Marvin or Ruth Sackner.

The drawings were made by Nichol and the text written by Riddell. An additional copy, designated is No.2 in Gronk 35cent Mimeographed Series, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology depicting Nichol's previously published concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This book is a reissuing of "Ganglia Concrete Series #3" with the original sheets and a new title page and colophon. -- Source of annotation: Marvin or Ruth Sackner.

Probably printed in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.