The loose sheet contains an essay by Jasia Reichardt describing the history of artists books. The introduction to this catalogue provides a sampling of pages from books published by students at Watford School of Art from 1966-1974. This is followed by a larger section of pages, mostly visual art from students at the school in 1974. -- Source of annotation: Marvin or Ruth Sackner.

The cardboard box is heavily frayed on one copy and absent on the other copy. The various sections of the newspaper are greatly enlarged by a photocopying machine. -- Source of annotation: Marvin or Ruth Sackner.

This print is Roth's typographical riff on C. Day Lewis' poem "Reflections." It was one of a series of seven designs commisioned by the Plastics Division of ICI to demonstrate the potentialities of stamping foils in graphic design. Other designers include Alan Fletcher, Jean-Michel Folon, Norman Ives, Pieter Brattinger and Armin Hofmann. -- Source of annotation: Marvin or Ruth Sackner.

Lists multiples, publications, prints and ephemera of Filliou and collaborators. -- Source of annotation: Marvin or Ruth Sackner.

Wolken in English means cloud. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet was distributed at the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Estra Milman assisted in producing the catalogue and exhibition. This book reproduces a section of Friedman's diary of rubber stampings. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue has the appearance of an Assembling magazine. -- Source of annotation: Marvin or Ruth Sackner.

The edition comprised 50 copies and 6 artist proofs. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Jas. W. Felter. -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes that these pages are "numbered by hand, with many dsh correx + typesetter's markups for 'the flip side of language' -- looks like it might be dsh's entry for the issue of the Oxford mag ISIS on concrete poetry which I edited, but I don't have a copy for comparison & it's hard to say..." This essay appeared in ISIS No.1507, 1966, a periodical hels by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This essay is another copy of the manuscript with slightly different handwritten correctionss and appeared in ISIS No.1507, 1966, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Checklist for the exhibition of works from international experimental artists and writers curated by Barbara Moore and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

All the images in this book were based upon a postcard from the collection of Rita Donagh (Richard Hamilton's wife). A postcard that it similar but with slight differences was used by Tom Phillips in hia book "The Postcard Century" to open the 1974 section. -- Source of annotation: Marvin or Ruth Sackner.

This issue contains illustrated articles on the genesis of the letter 'L,' film posters, and "Love Letters." Allan Haley contributed a biography entitled, "William Caxton: The Modest Translator." Marion Muller's essay "Meant to Be Seen and Not Heard" about concrete and shaped poetry dealt with an exhibition of Arion Press' Shaped Poetry portfolio at MJS Books & Graphics in New York. -- Source of annotation: Marvin or Ruth Sackner.