This well illustrated book with 25 essays was published on the occasion of the of the exhibition "Text, Buch, Kunst" presented at the Frankfurt 2000 Book Fair. Rypson contributes a concise introduction that traces the artist book from Kahnewilers's publications of Picasso' Cubist engravings, to the Trans-Siberian Railway, Un Coup de Des by Mallarme, the Russian Avant-garde, the Futurists, Dada and Conceptionalism. Rypson describes six elements in structuring "word space." 1. visual poem 2. layout of a poem 3. cover design 4. typographic composition 5. illustrated book 6. artists' books. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts a wide range of Finlay's poems on cards and prints along with several critical analytic essays. -- Source of annotation: Marvin or Ruth Sackner.

In the introduction, Rypson traces the history of Polish artists books from the 1960's to the 1990's, particularly in the way in which Polish politics influenced the creation and distribution of the works. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition catalogue is divided into three parts, viz., Artist Books, Children's Book Illustration, and Book Illustrations. Piotr Rypson provided an introductory essay to this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The translucent sleeve pages of this catalogue reveal images and texts printed underneath them. Its design can be considered an artist book in its own right. Provides information about Avant Garde Polish artist magazine, e.g., Tango & Luxus (selected issues held by Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.

The theme of the exhibition was "The Fly." It was curated by Kestutis Grigalinus. It includes several essays that illustrate and trace the international artist book movement. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition dealt with concrete poems installed in public places. -- Source of annotation: Marvin or Ruth Sackner.

This second volume of the catalogue mainly documents the Congress held in conjunction with the exhibition. It includes a congress summary by Kornelia Roder. There are also essays by Geza Perneczky, Karol Sauerland, Piotr Rypson, Guy Schraenen, Karla Sachse, Joachim Blank, and Balint Szombathy on the political-cultural-artistic implications of Mail Art. The catalogue contains a transcription of a panel discussion on Mail Art. The participants included Ruth Wolf-Rehfeldt, Klaus Groh, Leonard Frank Duch, Joseph H. Huber, Thomas Schulz, Birger Jesch, Hans-Ruedi Fricker, and Uwe Warnke. The catalogue reprints reviews of the exhibition. Four pages of calligraphic concrete poetry, entitled "Mnemonic Scores" by Valeri Scherstjanoi begin this book. -- Source of annotation: Marvin or Ruth Sackner.

This manuscript was in the archive of Dick Higgins. -- Source of annotation: Marvin or Ruth Sackner.

Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.