Discusses revisions for the Lettrist exhibition at the University of Iowa. -- Source of annotation: Marvin or Ruth Sackner.

This letter deals with her one person show and purchase of her works by Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

This is a draft of a letter relating a telephone conversation with the Sackners about visiting them in Miami Beach and giving a performance in their home as well as in the New Music Festival. -- Source of annotation: Marvin or Ruth Sackner.

Mentions that Sackners are admirers of Federman's book "Double or Nothing." Curtay also discusses the forthcoming Lettisme exhibition at the Univiversity of Iowa. -- Source of annotation: Marvin or Ruth Sackner.

Discusses loans for the Franklin Furnace exhibition on Lettrisme and mentions works that he will request from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue depicts photographic reproductions of the following prints that are held by the Ruth & Marvin Sackner Collection USA: 1) Dag Hammarskjold 1967, 2) Pumainen 1967, 3) Vanha pohjpiirustus 1967, and 4) Venaiainen monologi 1967. Ruutsalo died in 2001. -- Source of annotation: Marvin or Ruth Sackner.

Page 50, plate 44, depicts Wingbook, an artist book in edition of 12 that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured sculptures from found objects, paintings, rubberstamped works and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent two of Ely's books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book was published by Karen Kunc/Blue Heron Press to accompany The Liquid Language of Artist's Books Exhibition. Kunc curated the exhibition along with Bob Ebendorf and she also contributed a catalogue forward, Braided Streams, analyzing the history and rational of artists' books. The Sackner Archive is mentioned as holding the works of Claire Satin and Susan Share. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists curry's contributions to works by others. He includes a sound poem with made-up language. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists curry's contributions to periodicals. He includes a few visuals. -- Source of annotation: Marvin or Ruth Sackner.

Stored in C shelf location. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was conceived on an original idea by Barbaralee Diamonstein-Spielvogel and curated by Andrea Rosen. The exhibition included the works of 341 artists and poets. Several works were lent by the Sackner Archive. The catalogue was a gift of Andrea Rosen and is a checklist of the exhibition including diagrams of the placement of the pictures in the gallery and an artist list index. -- Source of annotation: Marvin or Ruth Sackner.

Announcement of the exhibition of the Sackners' Russian Avant Garde collection at the Lowe Museum. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of 29 former students of Walter Hamady was named for the typography studio in room 6451 in the Humanities Building at the University of Wisconsin. Each artist in the exhibition presented a statement of how Hamady influenced their artistic careers. Charles Alexander of Chax press notes that his works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Rudi Rubberoid. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition on the work of the British poet, Bob Cobbing. The exhibition was curated by Matthew Abess who was the scholar in residence at the Sackner Archive during the summer of 2006 between his sophomore and junior years at the University of Pennsylvania. He also wrote the catalogue essay and organized a symposium at the Kelly Writers House with Maggie O'Sullivan and cris cheek, compatriates of Bob Cobbing, participating in the event along with Charles Bernstein and Marvin Sackner. All the Cobbing material for the exhibition came from the Sackner Archive. The three copies in the Sackner Archive will be considered varient copies as the final few pages were poorly printed. Marvin Sackner advised the attendees to hold on to these copies as special before a more perfect version is reprinted. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. This is the second printing of the catalogue with the pages evenly printed throughout. -- Source of annotation: Marvin or Ruth Sackner.