This sculpture serves as a support for Astrid Furnival's knitted sweater "Un Coup de Des." -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions Jonathan Williams, Ronald Johnson, John and Astrid Furnival and Ken Cox. Houedard writes at the page bottom, "just did poem for polluted lake: dedicated to ernst jandl: vienna circle: WA wa wa - WA wa wa - LLLLL - tz tz" The Polluted Lake Series was edited and published by d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

Furnival thanks Wakefield, a collector, for subscription to Plakats and describes other publications of the press. -- Source of annotation: Marvin or Ruth Sackner.

Includes photograph of a detail of Furnival's standing screen, Fifty-One Towers of Babel (1984) in progress. This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These photographs, taken during the year's artists-in-residence in Rosewell, show the Furnivals posing with the completed works including "The Big Apple" sweater, "Fifty-one Towers of Babel," "A-Z of Consumerville" all held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

John Furnival's work includes "Fifty-One Towers of Babel," and Astrid Furnival's work "The Garden" both held in the Sackner Archive. Another photograph shows the coral rock the Sackners gave the Furnivals cemented into their wall in Gloustershire. -- Source of annotation: Marvin or Ruth Sackner.

Astrid Furnival's title is taken from Jonathan Williams poem published in the book, "Ear in Bartram's Tree." Her knitted portrait of the avant garde, music composer, Eric Satie, is bordered by the text "Satie Sat at Tea." -- Source of annotation: Marvin or Ruth Sackner.

Astrid Furnival's title is taken from Jonathan Williams poem published in the book, "Ear in Bartram's Tree." Her knitted portrait of the avant garde, music composer, Eric Satie, is bordered by the text "Satie Sat at Tea." -- Source of annotation: Marvin or Ruth Sackner.

The text is based upon the poem "The Garden" by Andrew Marvell, in which Furnival interprets the lines as garden rows. The colors of the wool were hand dyed from natural herbs and plants in her garden. The words are knitted on the tapestry. -- Source of annotation: Marvin or Ruth Sackner.

The text is based upon the poem "The Garden" by Andrew Marvell, in which Furnival interprets the lines as garden rows. The colors of the wool were hand dyed from natural herbs and plants in her garden. The words are knitted on the tapestry. -- Source of annotation: Marvin or Ruth Sackner.

This work, based upon Stephan Mallarme's celebrated poem, is exhibited on a collaged, female mannequin, "Lady Midnight" by Astrid and John Furnival. The buttons on the sweater are actual dice. -- Source of annotation: Marvin or Ruth Sackner.

This catalog features John Furnival's Fifty-one Towers of Babel and the A-to-Z of Consumerville, works held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These are the color samples used by Astrid Furnival for her knitted work "The Garden." The colors were from plants grown in her garden. The Sackner Archive holds the knitted work which is based on the poem "The Garden" by Andrew Marvell. This is stored with John Furnival material. -- Source of annotation: Marvin or Ruth Sackner.

These are the color samples used by Astrid Furnival for her knitted work "The Garden." The colors were from plants grown in her garden. The Sackner Archive holds the knitted work which is based on the poem "The Garden" by Andrew Marvell. This is stored with John Furnival material. -- Source of annotation: Marvin or Ruth Sackner.