Each of the artists describes his/her methods and thought processes involved in the creation of the works. The cohesive elements in the visual poems are the use of color and form. This publication was a gift from the poets on the occasion of their visit to the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts a text by Bennett that Helmes overprinted with four rectangular shapes enclosing abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

Helmes cut up pages from periodicals that had offset word and calligraphic content and arranged them into new forms. -- Source of annotation: Marvin or Ruth Sackner.

The letter reads "the enclosed for your fine collection - all the best - PS do I dare ask about your catalog???" -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of photocopied, rubberstamped poems executed from 1974-1972 by Helmes. -- Source of annotation: Marvin or Ruth Sackner.

Cole has recreated the works of 17 collaborating artists and made "another visual poetic text out of each person's word in relation to my own" in the exhibition documentation. Also included is a copy of the invitation sent to "20 visual poetic friends." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents work by Ernst from 1971 to the present. The following bookworks held by the Sackner Archive are depicted, 'Eye,' 'Sequencing,' and 'Book of Love.' -- Source of annotation: Marvin or Ruth Sackner.