Williams writes in his forward, "The fables - on the right-hand pages of the book - came first. Only gradually, after several exhibitions of these far-fetched fictions, did I come to realize that there was at least an iota, a jot or a tittle of truth - and sometimes a big blob of reality - in each and everyone one of them. And here, for the first time, the documentation appears opposite the collages themselves...on the left hand pages, opposite each of the cartoons, are enlightening documents from the author's personal archive relating some of the unlikely things that really happened in Performance Art 'show biz' over the years." -- Source of annotation: Marvin or Ruth Sackner.

Depicts a reproduction of Finlay's silkscreen poster/poem. -- Source of annotation: Marvin or Ruth Sackner.

Noel's images depict eight air deoderizer cans lined in a two rows that are reminiscent of Damien Hirst's pharmacy shelves. Cesar Figueiredo's two images are visual poems. -- Source of annotation: Marvin or Ruth Sackner.

This CD presents the exhibition of the same title in a PowerPoint presentation that includes animation, sound, and film. -- Source of annotation: Marvin or Ruth Sackner.

This CD presents the exhibition of the same title in a PowerPoint presentation that includes animation, sound, and film. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for a show mounted by students at the Bath Academy of Art. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was organized by the students of Bath Academy of Art to carry out projects proposed by their three teachers, Furnival, Finlay, and Houedard. -- Source of annotation: Marvin or Ruth Sackner.

Russell Radzinski edited the catalogue and contributed an introductory essay "Art/Power/Works and the Approach to Conceptual Art." For the exhibition Emmett Williams presented a new version of his Alphabet Symphony. It was conducted by his wife Ann Noel. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of British Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

The verso of the card is Steen's offset poem "the poem begins here." The message from Steen to Williams deals with the time of arrival in New York from a Copenhagen flight. -- Source of annotation: Marvin or Ruth Sackner.

The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

The page by Ann Noel resembles the "I" painting held by the Sackner Archive. No two I's are typographically repeated in this work. -- Source of annotation: Marvin or Ruth Sackner.