The stamps have the image, "Fluxus X West." -- Source of annotation: Marvin or Ruth Sackner.

Press release (loose sheet) mentions that Friedman's work is held by the Sackners. The drawings were made for Higgins' "The Epickall Quest of the Brothers Dichtung and other Outrages." -- Source of annotation: Marvin or Ruth Sackner.

The material in this exhibition was borrowed from the Artpool Archive. Geza Perneczky contributed an introduction. The Sackner Archive is listed in the reference section of overseas institutions "that deal with the archivation of Mail Art material." The cover of one copy is rubberstamped with the name and address of Geza Perneczky, the other is not. It is filed under its English title, "Stamp Images." -- Source of annotation: Marvin or Ruth Sackner.

In the introduction, Gaglione mentions that Ben was the first to introduce rubberstampings into modern art in the late 50's and early 60's but that Kocman should be considered the "neo-father" of contemporary stamp art as demonstrated by his 1972 book "Stamp Activity." With this publication (30 copies), the concept of international stamp art was officially born into the eternal network. The rubberstamp collaged onto the cover carries the word, "touch." -- Source of annotation: Marvin or Ruth Sackner.

This drawing appeared as an illustration (page 42) in "The Epickall quest of the Brothers Dichtung and Other Outrages" by Dick Higgins, a book published by Printed Editions, New York. -- Source of annotation: Marvin or Ruth Sackner.

For the most part of this exhibition catalogue, Tot's works consist of pictures with their frames by other artists in museums with the same dimensions except in Tot's pictures the images are blank or a solid color. -- Source of annotation: Marvin or Ruth Sackner.