This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

This book was done while Atchley was teaching at the University of Victoria (1969-1971) in Canada. Although Atchley had a background in fine printing and typesetting, he had dabbled in xerography in Baltimore and conceived of this book as a xerox project. He bought 250 empty three ring notebooks and invited all his friends to contribute up to 10 pages, 250 copies of each page. To encourage participation, the invitation stated that all pages would be included without editing. By the end of the year, there were about 60 contributors. Dana Atchley's "Notebook 1," an assembling, was published in March 1970 about the same time as Assembling No.1, edited by Kostelanetz and Korn.The envelope within the notebook contains ten Fluxus performance direction sheets. -- Source of annotation: Marvin or Ruth Sackner.

One copy contains a card reproducing a photograph of George Maciunas by Peter Moore. The second copy contains a loose sheet announcing a study collection of Fluxus materials for sale to libraries. -- Source of annotation: Marvin or Ruth Sackner.

This is physically the smallest book published by the Press. Ring Piece documents Hendricks' performance at the 8th Annual New York Avant Garde Festival in 1971. In the middle of Manhattan's 69th Regiment Armory (famous for housing the Armory Show in 1913). Hendricks sat in silent meditation for twelve hours, dressed in a tuxedo atop a mound of dirt under which lay buried various relics of his ten-year marriage to Bici Forbes (aka Bici Hendricks). The relics had been slightly altered (sliced or rent in two) in a ceremony of the divorce itself. -- Source of annotation: Marvin or Ruth Sackner.

This work lists words that begin with 'sky." -- Source of annotation: Marvin or Ruth Sackner.

This book is an homage to Francesco Conz. The editors are Hannah Stegmayer and Toni Stegmayer. The book presents photographs of fetish items in the Conz archive in addition to the rooms and shelves filled with other archival material including artist rendered pianos. Several fetish objects are displayed by Elisabeth Wahl, a curator of the Archivio Conz (pages 86-114). -- Source of annotation: Marvin or Ruth Sackner.

The two pages that have been unfolded from a tissue for sneezing might be a metaphor for the Iraqi Desert Storm military campaign. -- Source of annotation: Marvin or Ruth Sackner.

The proceeds from this book went to support people with AIDS. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of silkscreen, cloth multiples published by Francisco Conz was curated by Wayne Baerwaldt. It demonstrated several Fluxus conceptions: sharing ideas between artists, a publisher and the public; capturing the ephemeral in Fluxus productions; exposing the ideas of original works which would otherwise remain hidden in private collections. The silkscreen print editions on cloth offer the viewer the opportunity to investigate the contentious nature of Fluxus oriented art. "The editions of large-scale drawings, texts, musical scores, collages, and appropriated images are retouched, or redrawn directly on the silk-screens by the artists, reinforcing what we already know about intermedia, the myriad combinations of literary prose and/or concrete poetry; music and/or sound; theatre and/or performance." The Sackner Archive holds several cloth works by fluxus artists, Lettrists, and concrete poets published by Conz. -- Source of annotation: Marvin or Ruth Sackner.

Francesco Conz, Larry Miller, and Geoffrey Hendricks contributed essays documenting the works of Watts. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists the issue price of Carl Andre et al's, "Xeroxbook," at $25. -- Source of annotation: Marvin or Ruth Sackner.