The four letters of the word, PAIN, appear on each page in a different arrangement. -- Source of annotation: Marvin or Ruth Sackner.

Linda Depew designed the covers of this book. Each page depicts a minimalist constructivistic line drawing. The blank facing page is counted as a page because of the bleed through of the image of the preceding page according to Depew's recommendation. -- Source of annotation: Marvin or Ruth Sackner.

There is one word printed on each page whose letters are mostly formed from a stencil. Every word has "it" contained within it, e.g., kit, Jesuite, writ, etc. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts the same four adjacent, joining squares in a grid but placed slightly differently on the page. The cover was designed by Linda Depew. -- Source of annotation: Marvin or Ruth Sackner.

This book documents a suicide of a young man by a shot from a rifle in his mouth. It might be alluding to the suicide of d.a. levy who was well known to Wally Depew. Most of the words were formed from stencils. The cover was designed by Linda Bandt Depew, the wife of Wally Depew. -- Source of annotation: Marvin or Ruth Sackner.

Linda Depew did the linoleum block print on the cover. The pages mostly depict a 2 x 2 square or triangular grid with the stencilled letters L, O, V, and E as well as in some instances a blank square placed in various combinations. -- Source of annotation: Marvin or Ruth Sackner.

Most of the letters of the words and numbers have been formed from stencils. According to Depew, the left-sided blank page should be counted as a page since the bleed-through from the overlead right-side page can also be reas. -- Source of annotation: Marvin or Ruth Sackner.

Each page displays a single uppercase letter of the alphabet in consecutinve order. These letters have been formed from stencils. -- Source of annotation: Marvin or Ruth Sackner.

Each page displays a single lowercase letter of the alphabet in consecutinve order. These letters have been formed from stencils. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a line drawing of a circle in its upper half with a straight line dividing it from the lower half. The covers of the copies are printed on orange, yellow, and blue papers. -- Source of annotation: Marvin or Ruth Sackner.

The pages depict stencilled, large numbers from 1 to 0(10), printed one to a page as a progression, e.g., 1 (one page), 2 (two pages), 3 (three pages), 4 (four pages), etc. In this respect, the progession is analogous to Richard Kostelanetz's Accounting (1973) except that the progressions of all the numbers are printed on a single page rather than multiple pages. -- Source of annotation: Marvin or Ruth Sackner.

Each page has a stencilled capital K within or slightly outside of a square. -- Source of annotation: Marvin or Ruth Sackner.

The letters of the words and the constructivist images have been formed from stencils. The cover depicts a bust of Beethoven. -- Source of annotation: Marvin or Ruth Sackner.

The capital letter, 'I,' placed on each page, has been progressively expanded in its width by morphing from a single 'I' to two overlapping 'I's' to a large fat 'I' using a stencil forms. The covers of the copies are printed on blue, orange and yellow papers. -- Source of annotation: Marvin or Ruth Sackner.

The facing left sided page is counted as a page in addition to the right sided page. There is no text in the body of this booklet. -- Source of annotation: Marvin or Ruth Sackner.

This work comprising 10 copies in the Sackner Archive consists of variable amounts of soil placed in a plastic bag by Depew. There are an additional five empty bags with labels that had not been filled with soil. -- Source of annotation: Marvin or Ruth Sackner.

This work comprising 10 copies in the Sackner Archive consists of variable amounts of soil placed in a plastic bag by Depew. There are an additional five empty bags with labels that had not been filled with soil. -- Source of annotation: Marvin or Ruth Sackner.