This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In a review of the exhibition "The Open and Closed Book," the reviewer singles out a John Furnival sreen "Manhattan." -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of British Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

Poyner describes the symposium and exhibition held on the poet Dom Sylvester Houedard at the South London Gallery with a book launch by Occasional Papers .Marvin Sackner presented an illustrated talk on the drawings of Houedard and lent works for the pop-up exhibition. The Sackner Archive contributed the illustrations from the Archive for the catalogue. Stored in Houedard box. -- Source of annotation: Marvin or Ruth Sackner.

This review is related to the Nottingham Midland Group of Artists exhibition which included several British concrete poets. The catalog is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

John Furnival writes a personal note on the top of a review article of the Sensations exhibition at the Royal Academy. The reviewer states, "Tom Phillips showed skulls at the Dulwich Gallery last year, and though they were not as gory as Marc Quinn's cranial efforts at the Sensation show, the availability of a comparison of the work of a grand old man and an Academician to boot, and the oh-so new offering of the anti-Academician tendency was telling. The theme of the body as the surprising temple of the spiritual is perennial and inexhaustible. But the new wave is adding very little, even in terms of style. The forms they are using have already been plundered, and have had the surprise knocked out of them." -- Source of annotation: Marvin or Ruth Sackner.