This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. This poster has a great deal of water damage. -- Source of annotation: Marvin or Ruth Sackner.

Houedard is concerned about sending his reversals and reflecting poems to Ugo Carrega for an exhibition in Italy "but he prefers something more general - a bit of a retrospective - which puts me [Houedard] in a quandry as my stuff gets so scattered i never know where anything is & having had two retrospectives already (the V-&-A in london: the ceolgrith in newcastle at the laing) i cant start assembling stuff all over again - however i shall suggest he writes to the british council to see if they can help - also to the V-&-A which has a travelling show of some of my work (tho whether their travelling shows go abroad i am not certain." The envelope is addressed to Richard Aaron in Switzerland. -- Source of annotation: Marvin or Ruth Sackner.

Forty-nine artists/poets respond in visual/verbal terms to the question "What do you think of the actual situation of art?" -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of brief exhibition reviews. -- Source of annotation: Marvin or Ruth Sackner.

The analysis of Miles poetic works was written by Luigi Tola. Several poets and critics wrote testimonals at the end of this book, some reproduced in facsimile. -- Source of annotation: Marvin or Ruth Sackner.

Essays by Ubaldo Giacomucci, Lamberto Pignotti, Luciano Ori, Lino Di Lallo, Filiberto Menna, Vittore Baroni, Giuliano Zosi and Gianni Toti.The correspondence art section of the show was curated by V. Baroni. -- Source of annotation: Marvin or Ruth Sackner.

Reprint of the rules for the first network published May 22, 1972 in Poznan, Poland. -- Source of annotation: Marvin or Ruth Sackner.