Emilio Isgro and Ugo Carrega contributed critical essays on the visual poetic work of Ruffoni. This book ws given to the Sackners during a visit to the Archive. -- Source of annotation: Marvin or Ruth Sackner.

The original poem by Gerz depicted in this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides an anthology of Italian contemporary visual poetry along with statements by the contributing poets. Stored in Carrega box and reference shelf. -- Source of annotation: Marvin or Ruth Sackner.

This is a detailed listing of avant-garde Italian art/poetry journals from the 1960's and 1970's. the Sackner Archive holds several of these magazines. -- Source of annotation: Marvin or Ruth Sackner.

The print was also bound into tEXt, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is stored in the Ugo Carrega box. -- Source of annotation: Marvin or Ruth Sackner.

Stored in SCS box -- Source of annotation: Marvin or Ruth Sackner.

This essay is about Tool and is stored with the Tool publications. The Sackner Archive holds another copy, an original, that is included in "Agentzia 2." -- Source of annotation: Marvin or Ruth Sackner.

The print was also bound into tEXt, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features the following 12 poets and artists: Accame, Bentivoglio, Carrega, Ferrari, Guarneri, Mussio, Pignotti, Pomodoro, Spatola, Valentini, Vermi, and Xerra and includes an original work by each of them in an accompanying portfolio. The book consists of a photographic portrait of the poet/artist, a statement by the poet/artist about his/her work, brief texts about the work from critics, reproductions of representative works, and a brief biography. -- Source of annotation: Marvin or Ruth Sackner.