Young, Karl, 1947-
Dates
- Existence: 1947 October 7
Nationality
American
Found in 47 Collections and/or Records:
A Book of Nocturnes / Young, Karl., 1984
A Book of Openings and Closings from Middle American Dialogues / Young, Karl., 1984
The eight narrative poems in this book originate from Icelandic, Mayan, Spanish, and Old English sources. The superimposed lyrics, printed in brown ink, are based upon Aztec oral poems. -- Source of annotation: Marvin or Ruth Sackner.
A Fifth Printing Milestone from Milestones Set 4: I've set up a second light / Young, Karl., 1990
A Printing Poem from Milestones Set 4: I can hear birds sing / Young, Karl., 1990
This poem is printed on cream colored paper. -- Source of annotation: Marvin or Ruth Sackner.
A Printing Poem from Milestones Set 4: I've kicked the press / Young, Karl., 1990
This poem is printed on gray paper. -- Source of annotation: Marvin or Ruth Sackner.
A Printing Poem from Milestones Set 4: I've Learned not to Read / Young, Karl., 1990
A Printing Poem From Milestones Set 4: the first two colors / Young, Karl., 1990
This poem is printed on gray paper. -- Source of annotation: Marvin or Ruth Sackner.
A Printing Poem From Milestones Set 4: today I'll prepare / Young, Karl., 1990
This poem is printed on brown paper. -- Source of annotation: Marvin or Ruth Sackner.
A Seventh Printing Milestone from Milestones Set 4: I kept on trying / Young, Karl., 1990
Anglo-Saxon Riddle / Young, Karl., 1989
Balcon Abierto - Open Balcony / Thalia ; Young, Karl., 2000
This pamphlet consists of a poem in Spanish by Federico Garcia Lorca that has been translated by Karl Young. It is illustrated by three ideograms by thalia signifying 'open balcony.' The bottom half of the pages consists of a poem in English arranged like the railings of a balcony, -- Source of annotation: Marvin or Ruth Sackner.
Cried and Measured / Young, Karl., 1977
The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.
Cried and Measured / Young, Karl., 1977
The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.
Cried and Measured / Young, Karl., 1977
The poems are based on lists of names in the Aramaic writings of the Jews of Elephantine, Egypt. There is also an essay about the Elephantine Jews, an island in the Nile river at Egypt's southern border who lived in that place in the fifth century B.C. -- Source of annotation: Marvin or Ruth Sackner.
Ecosystems / Young, Karl., 1988
[Far Mountain] / Young, Karl., 1988
First Book of Omens from American Dialogues / Young, Karl., 1976
The cover design is based upon Mayan figures. -- Source of annotation: Marvin or Ruth Sackner.
First Book of Omens from Middle American Dialogues / Young, Karl., 1976
The cover design is based upon Mayan figures. -- Source of annotation: Marvin or Ruth Sackner.
First Series #14 / Young, Karl ; Berman W ; MacLow J ; Rothenberg J ; Olson T ; Ott G ; Kostelanetz R ; Nichol bp ; Four Horsemen., 1988
Karl Young collated, at random, rejected or test pages from the books of his own Membrane Press. -- Source of annotation: Marvin or Ruth Sackner.
Five Kwaidan in sleeve pages / Young, Karl., 1986
The five poems that make up the text are based upon Japanese ghost stories told by Lafcadio Hearn in his book, "Kwaiden." The book has an unusual construction in that the sleeve pages are to be opened from their sides to reveal continuation of the poem printed on the recto sides of the pages. In the introduction, Young writes, "...I make use of the three-dimensional pages: pages with insides and outsides... I hope that each reader will bring his or her own senses of inside and outside to the reading of this book. I should, however, point out that the insides and outsides interact with each other in various ways, primarily by paralleling or working against each other. The inside-outside tension should not only create a dialectical progression, but constantly turn the book on on itself and out to the reader." -- Source of annotation: Marvin or Ruth Sackner.
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- Conventional poetry 18
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- Concrete poetry 9
- Ideogram 5
- Artist book 4
- Conventional non-fiction 4
- Political poetry 4
- Correspondence art 3
- Critical text 3
- Documentation 3
- Fragmented text 3
- Minimalist poetry 3
- Calligraphic text 2
- Found poetry 2
- Visual art 2
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- Alphabetical text 1
- Aphorism 1
- Colored text 1
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- Haiku 1
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