The letters of the words of this poem are formed by squares containing micrographic texts. The typography makes reading difficult. The first two word read, "Thank You." The last two words are illegible. -- Source of annotation: Marvin or Ruth Sackner.

This poem is derived in terms of its text from Dom Sylvester Houedard (dsh as publisher). The typography is based upon Houedard's reversal ppem of the same tiotle. -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a draft copy of a classification system for visual/verbal material. -- Source of annotation: Marvin or Ruth Sackner.

This card prints two identical word lists in vertical columns, one on the left side has an aligned margin, the other on the right side is slanted to the right. The words in order from top to bottom are: Furthest, Further, Far, Near, Nearer, Nearest. -- Source of annotation: Marvin or Ruth Sackner.

Another sikgned copy on heavier pape stock as a poem object is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Another copy with detailed explanations was published in the International Telegraph newspaper and is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Another copy with detailed explanations was published in the International Telegraph newspaper and is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem consists of counting consecutive numbers from one to one hundred using their word equivalents, e.g, one, two, three, etc. -- Source of annotation: Marvin or Ruth Sackner.

The poems are triangular shaped. -- Source of annotation: Marvin or Ruth Sackner.

This iks the lay-out for assembling the poem in its cubic shape. -- Source of annotation: Marvin or Ruth Sackner.

The editioned Ying Yang Cube with typography by Alan Rickman and its printed flat sheet meant for cutting it its form are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.