This was the first artist book exhibition that the Sackners attended. It made a major impact on them in terms of the their subsequent direction in collecting. The catalog includes reproductions of Kenneth Snelson's drawings for the sculpture, Forest Devil, the maquette of which is held by the Sackners. Marcel Broodthaers' Un Coup de Des and Jes Petersen's Piero Manzoni, books held by the Sackner Archive were exhibited. -- Source of annotation: Marvin or Ruth Sackner.

The message was written by Kolar's translator but the signature is his. -- Source of annotation: Marvin or Ruth Sackner.

These prints depict characteristic images of contemporary artists in typewriter format; only three of the eight images could be identified. This portfolio is rare and only one other copy could be located at Fondazione Berardelli in Brescia Italy. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet provides an illustrating listing of silkscreened prints and books published by the press. The card is the price list; one of the copies is missing it. -- Source of annotation: Marvin or Ruth Sackner.

The types of collages utilized by Kolar and found in this work were described in a glossary of his Albright-Knox exhibition catalogue "Transformations": banknotes, chiasmage, confrontage, crumplage, intercollage, prolage, rapportage, rollage, and sampl Each of collage may incorporate several forms. The verso of several collages incorporate fragments of other collages as if Kolar were sketching with collage rather than paint or pencil. The titles of the collages in Slavic are also written on the verso. Four few collages have been matted and are stored in a flat file drawer. -- Source of annotation: Marvin or Ruth Sackner.

A collage sent by Kolar as a gift to the Sackners arrived wet and shredded. In his note with this replacement, Jiri Kolar writes, "Thanks for your letter. I was quite amused with the destroyed [sic] collage you sent me back." The loose sheets cut from periodicals can be placed into the frame of the simulated mirror image of the original collage to create new images as a "do-it yourself" art work. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.

One print is framed. -- Source of annotation: Marvin or Ruth Sackner.

Gloria Picazo contributed a critical essay opening with a quote by Kolar "Someday it will be possible to make poetry out of anything." Foissage is described when "a mere piece of paper is wrinkled, then flattened down and finally set upon a support. The strange writing left in the piece of paper by the wrinkles is another of the means usedby Kolar to make a poem visible." -- Source of annotation: Marvin or Ruth Sackner.

In this book, Kolar creates typings that emulate the classic works of such artists as Albers, Bill, Brancusi, Burri, Calder, Delaunay, Dubuffet, Duchamp, Fontana, Hajdu, Kandinsky, Kemeny, Klee, Kupka, Lissitzky, Malewich, Mathieu, Miro, Mondrian, Mohaly-Nagy, Nicholson, Rothko, Schwitters, Stazewski, Pollack, Strzeminski, Sima, Tinguely, Vasarely and Wols. -- Source of annotation: Marvin or Ruth Sackner.

The colored collages by Kolar are designated chiasmage. The cover of the box is collaged with a small, triangular example. Further, each print has a different, geometric shape. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a wine bottle collaged with different text, languages, and images. The print is collaged to the inner front cover of the folder. -- Source of annotation: Marvin or Ruth Sackner.