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A cluster of i's float above the word "jo ntheflag," an image that suggests there is a large group of individuals who wish to remain outside conventionality. In this image of the poem, three of the 'i's' show remnants of erasure. This differs from the smaller version No.495 that has different remnants of erasure. This typing is not included in Gerz's Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A cluster of i's float above the word "jo ntheflag," an image that suggests there is a large group of individuals who wish to remain outside of conventionality. In this image of the poem, one of the 'i's' and a left-sided parenthesis symbol show remnants of erasure. This typing is designated No.495 in Gerz's Catalogue Raisonne Volume III. Another version on a larger sheet of paper has more erasures and is not included in the Catalogue Raisonne Volume III. -- Source of annotation: Marvin or Ruth Sackner.

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Preparatory drawing for an announcement of performance by Hubaut at L'Ancienne Poste, Calais. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: "MATRIX is published on the occasion of the thirtieth anniversary of this groundbreaking contemporary art exhibition series at the UC Berkeley Art Museum. Originally conceived in 1978 as a rotating program of single-artist exhibitions, it continues as a space of active engagement with contemporary art and ideas. MATRIX has presented the work of more than 240 international artists, including Doug Aitken, Michael Asher, Louise Bourgeois, James Lee Byars, Sophie Calle, Bruce Conner, Brian Eno, Eva Hesse, Robert Irwin, Zoe Leonard, Chris Marker, Julie Mehretu, Shirin Neshat, Adrian Piper, Cindy Sherman and Richard Tuttle. At more than 500 pages, this volume--designed collaboratively with New York's Project Projects--presents the history of UC Berkeley Art Museum's innovative program and includes newly commissioned conversations between some of the most important voices in contemporary art, including Michael Auping, Lawrence Rinder, Jens Hofmann and Jordan Kantor. " --...

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This work is reproduced in Annoncenteil Arbeiten auf/mit Papier, Luchterhand, 1971. Perhaps this is the E and M remembered from the word 'MEMORY.' -- Source of annotation: Marvin or Ruth Sackner.

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Sackner Archive is cited as reference to work of Jochen Gerz. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalog. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalog. Mentions that item 4567, Schoffer & Albert-Birot: Aux trente-deux vents, is Sackner-Archive 42. -- Source of annotation: Marvin or Ruth Sackner.

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A large black letter paper 'O' is placed on the center of three columns of typed rows of text, each reading "AriannaArianna." It is depicted as No.467 in his Catalogue Raisonnne Volume III and mistakingly described as letraset rather than a collaged paper addition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work is depicted as No.468 in Gerz's Catalogue Raisonnne Volume III and mistakingly described as a collage rather than a photostat of a collage. Presumably, the original has been lost or destroyed. The photostat was purchased from Gerz by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

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Artworks consist of photographs with appended texts. -- Source of annotation: Marvin or Ruth Sackner.

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The image consists of two rows of capital X's interrupted by the word OUI. This is among the earliest drawings in concrete poetry made by Gerz. It is depicted as No.466 in his Catalogue Raisonnne Volume III. It should be noted that Gerz designated this work as an example of visual rather than concrete poetry despite the absence of an image. -- Source of annotation: Marvin or Ruth Sackner.

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The cover depicts a letter picture by Clemente Padin. The contributors to this exhibition constituted all the major artists/poets working contemporaneously in concrete and visual poetry. Stored in Ovum 10 box. -- Source of annotation: Marvin or Ruth Sackner.