This is also designated Artist Cards No.25 in series. -- Source of annotation: Marvin or Ruth Sackner.

A folded sheet onto which is printed a critical text by Stephen Bann accompanies this medallion. The image is a metaphor for the World War II battle of Midway in the South Pacific which was fought with airpower rather that ship to ship sightings. The text accompanying this work is stored in a box of Finlay booklets. -- Source of annotation: Marvin or Ruth Sackner.

Relates to the World War II battle of Midway. -- Source of annotation: Marvin or Ruth Sackner.

One copy has been printed on heavy gray stock paper the other on cream light stock paper. The image is a sailing ship with puns on nautical terms. -- Source of annotation: Marvin or Ruth Sackner.

This is the preparatory drawing for the Welsh Slate sculpture that is also pictured in a card and a print with the same title. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a drawing of a Norfolk Wherry (type of sailship) with its sails and hull reflected in the water. The title posing the question is printed on four leaves of the card. Beneath this text as a metaphor for relection on water, the answer is provided in upside down lettering, Messrs. Woods Sadd & Moore. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was designed by Finlay. The 10 photographs in this book from Finlay's garden are captioned with text from Finlay's "Detached Sentances on Gardening." -- Source of annotation: Marvin or Ruth Sackner.

This publication which was edited by Zdenek Felix and Pia Simig was published on the occasion of Finlay's exhibition entitled Works - Pure and Political at Diechtorhallen, Hamburg Germany in 1995. Includes photographs b&w of Finlay's sculptural works, documentation on their significance, and a listing of his collaborators. Archival material forming the basis for several of these works is held by the Sackner Archive, e.g., Max Plank Institute, Stuttgart (1972). -- Source of annotation: Marvin or Ruth Sackner.