This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

This retrospective exhibition catalogue contains reproductions and detailed explanations of the complicated and innovative print making processes of Chuck Close. It includes interviews conducted with the artist, a chronology of the artist and a glossary of print making techniques. This oustanding exhibition at Miami Art Museum was seen by the Sackners -- Source of annotation: Marvin or Ruth Sackner.

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.