Scope and Contents

The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. Both two loose sheets of erotic line drawn interpretations of Male and Female genitalia are missing in this copy although the male genitalia has been bound into the body of the text; they have been replaced by two photocopied b&w sheets. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The pages are stapled into a papercard folder. There is an abstract ink, line drawing on the cover done by Linda Bandt Depew. Both two loose sheets of erotic line drawn interpretations of Male and Female genitalia are missing in this copy although the male genitalia has been bound into the body of the text; they have been replaced by two photocopied b&w sheets. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The pages are stapled into a papercard folder. There is an abstract painted drawing on the cover done by Linda Bandt Depew. The two loose sheets are erotic line drawn interpretations of Male and Female genitalia. d.a. levy contibuted two poems, each taking up a page, dealing with anti-Vietnam war themes. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The artwork was done by Linda Bandt. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This card is designated POSTCARD and is not numbered so choosing No.3 was arbitrary. The card is stored with Wally Depew publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This card is designated POSTCARD and is not numbered so choosing No.2 was arbitrary. The card is stored with Wally Depew publications. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This work by Wally Depew was designed by Linda Depew and issued in 26 lettered copies. The letter assignation was done on a post-it on the verso of the folder as well as on the colophon. The white paper assemblage was inserted into the junction for the fastening of the paper folder. Depew designated the works in this series as Artist's Photobooks. Several of the images have been computer manipulated. The artistic theme of this work is wheel barrow. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book depicts computer altered photographic images of a [wheel] barrow on location. The paper foldings were done by Linda Depew. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work was dedicated to Sol Lewitt. A leaflet placed at the beginning of this project by Wally Depew states the following with regard to his wife, Linda. "The box and the eight page, single sheet, folded books were cut, folded and formed by Linda. Linda Words Poem was coloured and painted by Linda. The sewed books were sewed by Linda. The whole project was overseen, criticized and approved by Linda. Thanks Fee, you keep the fun in life." The works in this project employ a large number of fonts and are particularly focused but not exclusively on transmorfation, e.g., beginning with one word and passing through several alterations of the letters to form another word. This work is a partial summation of the artistic/poetic of Wally and Linda Depew.Obituary Contra Costa Times: Wally Depew, an artist, musician, poet and writer, died August 18, 2007 in Patagonia, Arizona, two months after being diagnosed with pancreatic cancer. He was 69. A native of Scranton, Pa., he was a Phi Beta...