This drawing depicts a gargoyle from Beverley Minster, a parish church in the Church of England that is said to be the largest parish church in the UK. Wikipedia: Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless it survived as a parish church, and the chapter house was the only major part of the building to be lost. It is part of the Greater Churches Group and a Grade 1 Listed building. The Minster owes its origin and much of its subsequent importance to Saint John of Beverley, who founded a monastery locally around 700 AD and whose bones still lie beneath a plaque in the nave. The institution grew after his death and underwent several rebuildings. After a serious fire in 1188, the subsequent reconstruction was overambitious; the newly heightened central tower collapsed c. 1213 bringing down much of the surrounding church. Work on the present structure began around 1220. It took 200 years to complete building work but, despite the time scale involved, the whole building has coherent form and detail and is regarded as one of the finest examples of Perpendicular design, the twin towers of the west front being a superlative example. These formed the inspiration for the design of the present Westminster Abbey. Saint Thomas Becket of Canterbury, (c. 1118 "“ December 29, 1170) was named Provost of Beverley in 1154. As with many English churches during the wars of religion in the sixteenth century, Beverley Minster was not immune to dissension. Church authorities cracked down hard on those they felt were part of the Popish conspiracy, contrary to Royal decrees. "Among those holding traditional beliefs were three of the clergy at the minster, who were charged with Popish practices in 1567; John Levet was a former member of the college and Richard Levet was presumably his brother. Both Levetts were suspended from the priesthood for keeping prohibited equipment and books and when restored were ordered not to minister in Beverley or its neighbourhood." In the 18th century the present central tower replaced an original lantern tower that was in danger of collapse. This central tower now houses the largest surviving treadwheel crane in England, which is used when raising building materials to a workshop located in the roof. A distinctive feature of both the north and south transepts is the presence of rose windows, and a White Rose of York, with ten equal parts. Daily tours to the crane and rose windows are available to the general public, subject to other church commitments. 9 -- Source of annotation: Marvin or Ruth Sackner.