Phillips presented this paper to the Architecture forum in the Reynolds Room of the Royal Academy of Arts on October 28, 2002. This reading version is formated into nine parts and 157 statements describing ornament which Phillips states "...is high art hidden everywhere. Ornament is the stylistic signature of time and place and peoples." Statement 109: The use of calligraphy in ornament is as old as writing itself and the graffiti artists of the late 20th century in New York brought calligraphic expression to a new height comparable with the best of Islamic letter-based art or mediaeval illumination." 110: Ornament, however, including the calligraphic type, has its own mode of communication. In that it has meaning it bypasses the customary modes of literal or metaphorical and inhabits Dante's final category of signification, the anagological, wher form embodies truth directly, making as it were a spiritual equation." Stored in box with Phillips notebooks, -- Source of annotation: Marvin or Ruth Sackner.