Publishers Weekly: Inimitable British writer Lodge (Small World; The Art of Fiction) is at his best in another of his comedies of manners set in the academic world. His 10th novel is distinguished by gentle satire, vigorous intelligence, sometimes ribald humor and a perspicacious understanding of the human condition. At the fictitious University of Gloucester, science and literature collide in the persons of 40-something Ralph Messenger and Helen Reed. Ralph's research as the director of cognitive science and his wit and charisma as an explicator of artificial intelligence make him a bit of a star in Britain, and with the ladies. He delights in opportunities for extramarital activities within the confines of the don't-ask-don't-tell arrangement he's established with his wife. Ralph's worthy opponent, newly widowed Helen, a novelist and Henry James devotee, has come to the university to teach creative writing. Helen represents the religious conflict common to Lodge's characters. She has nostalgic respect for her Catholic upbringing, but she's enduring a crisis of faith. Because of her strong moral conscience, she disapproves of Ralph's infidelities. Yet sparks fly during their heated debates, and they share an undeniable attraction and mutual respect. Ralph argues convincingly for artificial intelligence as the next rung on the evolutionary ladder, but Lodge's own opinion clearly corresponds to Helen's: she's dubious of a machine that could embody human consciousness, "a computer that has hangovers and falls in love and suffers bereavement." The perfectly paced story unfolds alternately via Helen's diary, Ralph's audio-dictated journal and an omniscient narrator. Although still politically aware, Lodge is arguably less concerned with social commentary (as in his Booker-nominated Nice Work) than with human nature, and he digs deeper here than in Therapy into the universal mysteries of death and the soul. Readers and booksellers will be more than pleased by this entertaining and appropriately thought-provoking novel."Booklist: "Much of the pleasure of Lodge's sparkling novels is derived from his playful yet shrewd use of fiction as a laboratory, a controlled space within which the workings of the human heart and mind--the battle between emotion and rationality, desire and morality--can be put in motion and analyzed. It makes perfect sense, therefore, that Lodge would write a tale that pits art against science. Using a favorite setting, the academy, and a favorite form, the farce, he pairs a highly responsible novelist, Helen Reed, an admirer of Henry James, no less, with an egotistical scientist, Ralph Messenger, who not only heads up the prestigious cognitive sciences department at the University of Gloucester but also disseminates his mechanistic view of consciousness on television. Helen, whose handsome husband has abruptly died, has sought refuge from her memory-laden London flat by moving on campus as the university's writer-in-residence. Ralph, quite the womanizer (an indulgence his wealthy American wife seems to accept), attempts to seduce Helen, but darned if she doesn't have scruples. Mutually attracted, however, they spar in witty discussions about the value of literature's depictions of consciousness versus science's more material approach, then retreat to confide in their journals. Helen takes a traditional approach to recording her thoughts and feelings, while Ralph, talking into a tape recorder, attempts to record verbatim the flow of his random and randy thoughts to comic effect. Events soon conspire to deepen their involvement, and as things reach a madcap crescendo during an international conference on the workings of the brain, Lodge revels in the absurdities and poignancy of the creative drive, ambition, eroticism, infidelity, mortality, and love--the lifeblood of literature, the ghost in the machine, the force no computer can measure or emulate. Donna Seaman. -- Source of annotation: Marvin or Ruth Sackner.