Angela Szczepaniak writes in her Afterword that "Laliberte pulls the brick from the [comic strip] background and drops it ziz-blop-galang into the spotlit foreground...With quiet sophistication each brick tells its own tale from its unique vantage point behind the action. When the original context is stripped away, the overwriting process takes centre stage...Laliberte's wall poems cement a language all of their own." -- Source of annotation: Marvin or Ruth Sackner.