Work was submitted for the "Homage to the Mad Diarist" exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This work is reproduced in Mendes de Sousa & Ribeiro: Antologia da Poesia Experimental Portuguesa: Anos 60 - Anos 80, 2004, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print is from the Prisoners of Conscience series. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a grid of Heraldic emblems with micrographic writing around each of them. -- Source of annotation: Marvin or Ruth Sackner.

The image is a large "bee" with a caption from the title below it. -- Source of annotation: Marvin or Ruth Sackner.

A large letter 'S,' flanked by two vertical 'I's' to the right, are formed by typewitten generated words. All words in the 'S' begin with the letter 's,' whereas the words in the two 'i' columns, which should begin with the letter 'i,' lack this letter. It is up to the reader to utilize the letter 'i' when reading the text in these columns. The words appear to be randomly chosen as in automatic writing but have political overtones. -- Source of annotation: Marvin or Ruth Sackner.

Words in three languages, relating to the sea, appear to be floating in a circle. -- Source of annotation: Marvin or Ruth Sackner.

Letters, numbers and punctuation marks of varied font sizes appear to be falling, in a random arrangement, from the upper right hand corner of the print until reaching a circle filled with the photograph of a large group of people. The circle appears to represent a magnifying glass. The interpretation of this image is unclear. The duplicate copy is folded. -- Source of annotation: Marvin or Ruth Sackner.