The print depicts the same seven vertically arranged labels of measurements that was adapted from Ben Nicholson's "Letters and Numbers." -- Source of annotation: Marvin or Ruth Sackner.

The print features monthly paint schemes of military tanks.

Depicts names of Scottish fishing ships with Star as a component of their names printed in green and arranged as a mandala on a blue background. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a photographic portrait of Houedard along with the famous Haiku he translated from Bashu, "frog, pond, plop." It is depicted on page 140 of Furnival's book, "The Locative-Vocative Cases." -- Source of annotation: Marvin or Ruth Sackner.

Houedard wrote this poem with his typical printed letters. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive also holds the card and the drawing with the same title. This work is also depicted in Bulletin of the National Galleries of Scotland No.3, a pamphlet periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Depicts four lemons inscribed with numbers of Scottish fishing ships in a basket and the label in larger letters, "Marine." -- Source of annotation: Marvin or Ruth Sackner.

Depicts four lemons inscribed with numbers of Scottish fishing ships in a basket and the label in larger letters, "Marine." -- Source of annotation: Marvin or Ruth Sackner.

The numbers of Scottish fishing ships, printed in red, are arranged in a mandala on a blue background. -- Source of annotation: Marvin or Ruth Sackner.

This print is not listed in Finlay's book, Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

The names are a mixture of the Apostles and leaders of the French Revolution. -- Source of annotation: Marvin or Ruth Sackner.

The classical image is of a six layer cake; the image of neoclassical is of six stacked drums. In each picture, the sizes of each layer become progressively smaller from botton to top. The cake probably refers to Marie Antoinette's pre-revolutionary statement, "Let Them Eat Cake!" and the drums refer to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

These three prints depict the individual figures in the print Apollo and Daphne: Design for a Wall, 1992. Apollo is depicted in a red symbolizing strength whereas Daphne is printed in camouflaged green indicating uncertainty of pastoral serenity. Laurus depicts a silhouette of a green tree. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a sail boat with the tip of its mast in juxtaposition with the horizon like sewing the horizon as it sails. -- Source of annotation: Marvin or Ruth Sackner.

This work was printed by Simon Verity. -- Source of annotation: Marvin or Ruth Sackner.

This copy has a yellow background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

This copy has a white background onto are which printed colored letters dictated by the analysis on the verso. William Allen comments: "Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on yellow stock. The verso side of the print features silkscreen, together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System, as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Less than 300 prints were produced on white, pink and yellow stock." -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a thorn with barbs. -- Source of annotation: Marvin or Ruth Sackner.