Box 318
Contains 35 Results:
Parole + Segni in Liberta, 1981
Contains Futurist poems depicting portraits of several artist/poets. -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Concerto, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Journal Impubliable, 1975
Exhibited in Visualog 2, San Luis Obispo, California an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Premiers Approches De La Ville, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Livre Impubliable: Premiers Approches De La Ville, 1975
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Journal Impubliable, 1982
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Cooked Books , 1983
Exhibited in Visualog 2, San Luis Obispo, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
Art-Science Relationship, 1987
La Solitude Sonore , 1971
Letter to John Furnival (1), 1971
Arias-Misson describes his current activities with ZAJ and explains his music score poem "La Solitude Sonore." -- Source of annotation: Marvin or Ruth Sackner.
Letter to John Furnival (2), 1971
Arias-Misson indicates that he wishes to change dedication of his music score "La Solitude Sonore" to D.S.H. (Dom Sylvester Houedard). -- Source of annotation: Marvin or Ruth Sackner.
The Funeral of KEITH ARMSTRONG 1950-2017, 2017
Hebrew Micrography: One Thousand Years of Art in Script , 1981
The author writes, "Israeli artist Jacob El-Hanani has created his own variation on calligram micrography in his Constructivist style, using minute cursive Hebrew script to form a textured carpet of writing. Although the result differs from the traditional micrograph and calligram, his perseverance proves El-Hanani to be a true descendant of the Medieval masorah scribe." The Sackner Archive holds a work like Arvin has described. -- Source of annotation: Marvin or Ruth Sackner.
Objects 2 , 1963
Cover design by d.a.levy. Atkins is a black poet whose earlier book, "Objects" was published in 1960. In "Objects 2," there are poems that are the same and others different from "Objects." -- Source of annotation: Marvin or Ruth Sackner.
Objects , 1960
This is the original edition later published by d.a. levy as "Objects 2." In this edition and levy's, there are the same as well as different poems. -- Source of annotation: Marvin or Ruth Sackner.
Pains of Class , 1982
Adrian Mitchell wrote the introduction and images by Frans Masareel were used to illustrate this book. -- Source of annotation: Marvin or Ruth Sackner.
A Mad Diarist , 1984
This work was submitted to a mail art show,"Homage To A Mad Diarist," curated by John Pyros. -- Source of annotation: Marvin or Ruth Sackner.
Truck (A Dance), 1972
An Only Kid , 1990
This book dealing with the Passover song, Chad Gadya, was inspired by the work of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.
Spyrytual , 1966
Published by d.a.levy. -- Source of annotation: Marvin or Ruth Sackner.