Box 327
Contains 38 Results:
The Worst Moment Is When You Realize That You Can't Change the Course of Art History, 2009
The collaged card depicts a photograph of Vittore and an unknown man seated and reading books. -- Source of annotation: Marvin or Ruth Sackner.
Writers Block, 2008
Le Parole per Dirlo, 2010
Imaggio a Miccini , 2010
The State of the Arts: A Networking Questionnaire, 1999
Baroni publishes the response to questions posed to correspondence artists concerning avant garde art and artists. -- Source of annotation: Marvin or Ruth Sackner.
Homage to George Lott, 1997
George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.
Aenigmatic Wrinkles, 1997
A photocopied image of the face of Mona Lisa is built up in four pages from the abstract to the visible. The facing pages have childlike handwritten phrases possibly done by Baroni's son. -- Source of annotation: Marvin or Ruth Sackner.
All My Rubber Stamps (all together now) , 2010
Congress Yourself, 1996
The cover is a postcard of the Acapulco Hotel, the Baroni family hotel where Vittore works. -- Source of annotation: Marvin or Ruth Sackner.
Carbon Drawings, 1998
This book consists of a sample of 42 drawings done with the aid of with carbon paper copying sheets. They were based upon images and fragments of words from Italian fashion magazines. Baroni comments, "There is an element of child-like surprise every time you lift the funny smelling carbon sheet to see the result of your work. You can never be quite sure what will appear." One original folded carbon copy drawing is placed within each booklet. -- Source of annotation: Marvin or Ruth Sackner.
Mist Trouble, 2003
Stickerman's Secret Congress: An Hommage to GAC , 1992
In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.
Michelagniolo Art, 1980
Anche I Muri Hanno Orecchi, 1981
Probably Another Visual Poem by Vittore, 1989
Collage incorporates mailing receipts to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
Pictura, 1987
Bad Breath Babble, 1991
You Are Watching an Ongoing Sticker Performance, 1992
Artistamp Statement for Anna Banana's Artistamp News, 1992
Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.
Damned to be an Iconoclast, 2000
The captioned rubberstamped words "Tira e Da-Da Vinci. Homo Hominis Target" refer to an upright moving man on a target background. -- Source of annotation: Marvin or Ruth Sackner.