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Box 327

 Container

Contains 38 Results:

The Worst Moment Is When You Realize That You Can't Change the Course of Art History, 2009

 Item — Box: 327
Identifier: CC-49782-70836
Scope and Contents

The collaged card depicts a photograph of Vittore and an unknown man seated and reading books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

The State of the Arts: A Networking Questionnaire, 1999

 Item — Box: 327
Identifier: CC-33974-35646
Scope and Contents

Baroni publishes the response to questions posed to correspondence artists concerning avant garde art and artists. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Homage to George Lott, 1997

 Item — Box: 327
Identifier: CC-29133-30478
Scope and Contents

George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Aenigmatic Wrinkles, 1997

 Item — Box: 327
Identifier: CC-29503-30868
Scope and Contents

A photocopied image of the face of Mona Lisa is built up in four pages from the abstract to the visible. The facing pages have childlike handwritten phrases possibly done by Baroni's son. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Congress Yourself, 1996

 Item — Box: 327
Identifier: CC-24193-24645
Scope and Contents

The cover is a postcard of the Acapulco Hotel, the Baroni family hotel where Vittore works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Carbon Drawings, 1998

 Item — Box: 327
Identifier: CC-32428-34002
Scope and Contents

This book consists of a sample of 42 drawings done with the aid of with carbon paper copying sheets. They were based upon images and fragments of words from Italian fashion magazines. Baroni comments, "There is an element of child-like surprise every time you lift the funny smelling carbon sheet to see the result of your work. You can never be quite sure what will appear." One original folded carbon copy drawing is placed within each booklet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Stickerman's Secret Congress: An Hommage to GAC , 1992

 Item — Box: 327
Identifier: CC-23493-23938
Scope and Contents

In the photograph, Baroni is shown as he covers his wife with labels which read Networker Congress. The verso contains remnants and the flag-like ornament from the top of the helmut. This work is an homage to G.A. Cavellini. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Probably Another Visual Poem by Vittore, 1989

 Item — Box: 327
Identifier: CC-21566-21977
Scope and Contents

Collage incorporates mailing receipts to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Artistamp Statement for Anna Banana's Artistamp News, 1992

 Item — Box: 327
Identifier: CC-23624-24071
Scope and Contents

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Damned to be an Iconoclast, 2000

 Item — Box: 327
Identifier: CC-37550-39407
Scope and Contents

The captioned rubberstamped words "Tira e Da-Da Vinci. Homo Hominis Target" refer to an upright moving man on a target background. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000