Skip to main content

Box 331

 Container

Contains 44 Results:

Lego 50-15, 2010

 Item — Box: 331
Identifier: CC-51547-72645
Scope and Contents

Beaulieu invited 15 artists and poets to modify the original patent for Lego toys artistically or poetically and assembled the results into this piece. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Letraset, 2010

 Item — Box: 331
Identifier: CC-50821-71899
Scope and Contents

This publication depicts Beaulieu's letraset collages including Untitled (2010), a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Simplex 17, 2006

 Item — Box: 331
Identifier: CC-47312-50055
Scope and Contents

These prints by the 17 contributors were photocopied from the collages made from the same letraset fonts distributed to them by Bealieu. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Lego-15, 2008

 Item — Box: 331
Identifier: CC-49396-70441
Scope and Contents

Participants were requested to artistically or poetically interpret three pages of a Lego patent (1961) that was provided to them by Beaulieu. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Manifesto!, 1978

 Item — Box: 331
Identifier: CC-23101-23538
Scope and Contents NYT Exhibition Review: Whatever the aesthetic merit of Gene Beery's Pop-Conceptual paintings, on view in this delightful miniretrospective, they are certainly funny. Since the early 60's, Mr. Beery has been making word paintings that look and read like signs you see in shop windows. What the words offer, however, are not commodities but mischievous, self-referential messages, like John Baldessari's but goofier. ''Invent your own art kit!'' blares the exuberant text of a 1968 spoof of Conceptualism called ''Be an Artist Tomorrow.'' ''No brains, technique, skill, imagination, etc. needed. Clever system makes everyone an old master in seconds.''In ''Essences Only,'' made this year, Mr. Beery used a thin brush to write in black with apparently casual haste on a white canvas, ''My life is now too short to spend much time on formal painting art concerns. I am simply recording essences.'' Just so.It is tempting to go on quoting other paintings, but it is worth noting, too, the paradoxical...
Dates: 1978

12 visual poems for a workshop 2nd edition, 2010

 Item — Box: 331
Identifier: CC-50961-72039
Scope and Contents

This book was first published in 40 copies in 2008. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

A?: any questions?, 1998

 Item — Box: 331
Identifier: CC-31039-32501
Scope and Contents

Produced to coincide with the 3rd annual WHIPlash poetry festival in Ottawa. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Syntax, 2000

 Item — Box: 331
Identifier: CC-36501-38299
Scope and Contents

The cover depicts a letter picture. The pages are mostly abstract markings with a few letters. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Local Colour, 2007

 Item — Box: 331
Identifier: CC-48925-69963
Scope and Contents

This pamphlet is based upon Paul Auster's novella, "Ghosts" which has characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Selections from Local Colour, 2008

 Item — Box: 331
Identifier: CC-49382-70427
Scope and Contents

This pamphlet is based upon the original book that is held by the Sackner Archive, "Local Colour" which in turn derives from Paul Auster's novella, "Ghosts." The latter descibes characters named White, Black and Blue. Black lives on Orange Street. In the Beaulieu treatment of this work, only chromatic words are retained and the rest are "cancelled" with non-printed, white space. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008