Several pages consist of one to three very large letters or marks, e.g., 0%,&, etc. -- Source of annotation: Marvin or Ruth Sackner.

This is an illustrated catalogue of prints and books produced by the October Foundation. -- Source of annotation: Marvin or Ruth Sackner.

This pages of this book reproduce the 625 lines and 520625 points of an image on a television screen depicted on the cover. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of a typewritten manuscript dealing with 103 proposals sent to the owners of the Ingleby Gallery between 1st June and 30th June 2006. -- Source of annotation: Marvin or Ruth Sackner.

For the sale of a significant archive of Lettriste material there is an in-depth review of the Lettriste movement. -- Source of annotation: Marvin or Ruth Sackner.

A small soft cover book is wrapped in papers which include the text above and "Non-Archival Book Instructions: Light Fuse and Get Away." With the exposed string on top, this book object resembles a fire cracker. -- Source of annotation: Marvin or Ruth Sackner.

Beaulieu made this book by tracing a line to each letter of Abbott's book "Flatland. -- Source of annotation: Marvin or Ruth Sackner.

In the afterward, Marjorie Perloff refers to E.A. Abbot's "Flatland, originally published in 1884 and reprinted by Princeton University Press in 1991. The Victorian Abbot invents a two-dimentional universe inhabited entirely by polygons. beaulieu's writing-through of this whimsical tale immediately brings to mind Tom Phillips's 'A Humument', but there is, in fact, little similarity between the two texts. For whereas Phillips's treated book foregrounds and reframes particular passages in his source text, W.H. Mallock's 'A Human Document', producing delicious parodies, cartoon narratives, double entendres and sexual punning, beaulieu's 'Flatland' contains no words whatsoever - indeed, not even the letters of the alphabet, much less ideograms or symbols." -- Source of annotation: Marvin or Ruth Sackner.

In the afterward, Marjorie Perloff refers to E.A. Abbot's "Flatland, originally published in 1884 and reprinted by Princeton University Press in 1991. The Victorian Abbot invents a two-dimentional universe inhabited entirely by polygons. beaulieu's writing-through of this whimsical tale immediately brings to mind Tom Phillips's 'A Humument', but there is, in fact, little similarity between the two texts. For whereas Phillips's treated book foregrounds and reframes particular passages in his source text, W.H. Mallock's 'A Human Document', producing delicious parodies, cartoon narratives, double entendres and sexual punning, beaulieu's 'Flatland' contains no words whatsoever - indeed, not even the letters of the alphabet, much less ideograms or symbols." -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

This book was Finlay's contribution to Junge Kunst Internationale '99 sponsored by Overbeck-Gesellschaft, Luibek, Germany. Each page has three templates for the cards along one to three initials signifying where each card is to be placed based upon the call letters of the boat identified on the card. The cards consist of actual boat names of flowers and their descriptions. -- Source of annotation: Marvin or Ruth Sackner.

First published in 1975 and reprinted by Marian Goodman Gallery in 1991. -- Source of annotation: Marvin or Ruth Sackner.