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Conceptual art

 Subject
Subject Source: Lcsh: Library Of Congress Subject Headings

Found in 1027 Collections and/or Records:

Morphomythogie / Gette, Paul-Armand., 1966

 Item
Identifier: CC-50082-71143
Scope and Contents

This book was also published in an edition of 20 copies with a wood-cut letter on its cover; such a copy is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Mosaiken In Pankow 1978-1980, 1980

 Item — Folder 4: [Barcode: 31858072459427]
Identifier: CC-55722-55119
Scope and Contents This poster depicts photographic changes of the same site on the streets of Pankow from 1978 to 1980. Wikipedia: Manfred Butzman was born September, 1942 in Potsdam. After his father's death in 1945 Manfred Butzmann grew Eutzsch with relatives on a farm. 1955 his mother took him back to Potsdam, where he attended high school and then took off the 1961 high school. During this time he took drawing lessons already. After high school he attended from 1961 to 1964 trained as a Offsetretuscheur in Berlin and Potsdam. Besides, he worked in Malzirkel of Magnus Zeller in Caputh. From 1964 to 1969 Manfred Butzmann graphics studied at art school in Berlin-Weissensee at Arno Mohr, Werner Klemke and Klaus Wittkugel . 1988 to 1993 he was a guest lecturer. After getting married to the landscape architect Eva Butzmann 1966 the couple moved into an apartment on Park Road 36 in Berlin-Pankow . In 1966, the daughter Iris was born in 1972 and 1983 Charlotte Johanna. From 1970 he worked as a...
Dates: 1980

Multiples und Objekte aus der Sammlung Ute und Michael Berger / Meyer-Husmann, Ulrich ; Ray M ; Beuys J ; Roth D ; Jones J ; Ulrichs T ; Duchamp M ; Vostell W ; Dittmar R ; Picabia F ; Spoerri D ; Tilson Jo ; Oldenburg C ; Knowles A ; Brecht G ; Cage J ; Maciunas G ; Filliou R ; Ben ; Magritte R., 1984

 Item
Identifier: CC-05840-5950
Scope and Contents

Forward by Arnold Herbst. Text by U. Meyer-Husmann. Exhibition included Joseph Beuy's "Buttocklifting" and "Magnetische Postkarte," both of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Museum of Modern Art, 1983

 Item — Box 301: [Barcode: 31858072460912]
Identifier: CC-55720-53512
Scope and Contents

The keys presumably unlock the door of the museum. The colophon reads, ...is a box of mauricio nannuccci (1971) published by adlers editions in 30 copies signed and numbered in malmo sweden autumn 1983 -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Museum of Penny Candy, 2000

 Item — Box 301: [Barcode: 31858072460912]
Identifier: CC-35181-36915
Scope and Contents

Each page consists of the candy object described by an ancient dictionary along with the candy itself. The presentation is reminiscent of early Joseph Kosuth works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Museums by Artists / Bronson A.A., editor ; Gale, Peggy, editor ; Byars JL ; Broodthaers M ; Asher M ; Buren D ; Duchamp M ; Filliou R ; General Idea ; Haack H ; Kawara O ; Kosuth J ; Levine L ; Maciunas G ; Manzoni P ; N.E. Thing ; Oldenburg C ; Szeemann H ; Lissitzky E ; Boltanski C ; Distel H ; Gerz J ; Kirkeby P., 1983

 Item
Identifier: CC-43266-45325
Scope and Contents

The white and yellow striped cover was designed by Daniel Buren. It includes an original bound-in, paper multiple by James Lee Byars on pink tissue paper printed in an extremely small font. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Mythologies, from Altimara to Manet an emotional analysis of art history / Romberg, Osvaldo ; Hunter S., 1981

 Item
Identifier: CC-44767-46934
Scope and Contents

Romberg's paintings in this period consist of collaged photoreproductions of cave paintings and old masters up to Manet along with a written analysis and color swatches used by that painter as deduced from Romberg's observations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

National Flags Series: Utopia / Finlay, Ian Hamilton; Harvey, Michael., 1975

 Item
Identifier: CC-12013-12236
Scope and Contents

The image of the flag is an empty rectangle serving as a metaphor for Utopia according to Finlay where no individual nations exist. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975