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Conceptual art

 Subject
Subject Source: Lcsh: Library Of Congress Subject Headings

Found in 1027 Collections and/or Records:

Null Object: Gustave Metzger thinks about nothing, 2012

 Item
Identifier: CC-55630-9999234
Scope and Contents The editors of this volume are Bruce Gilcrist and Jo Joelson of London Fieldworks.Wikipedia: Gustav Metzger (born 1926) is an artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger is recognized for his protests in the political and artistic realms. Metzger was born to Polish-Jewish parents in Nuremberg, Germany in 1926 and came to Britain in 1939 as a refugee under the auspices of the Refugee Children Movement. He has been stateless since the 1940s. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.Metzger is known as a leading exponent of the Auto-Destructive Art and the Art Strike movements. He was also active in the Committee of 100 and took part in their early anti-nuclear base campaigns of direct action...
Dates: 2012

Observatoire, L: Point Zero. No.1/Feb / Laurent Malone, Francine Zubeil, editors ; Hubaut J., 1991

 Item
Identifier: CC-05429-5532
Scope and Contents

Four full color pages are dedicated to the work of Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Odes / Langelle, Martial., 1983

 Item
Identifier: CC-37866-39746
Scope and Contents

The book consists of a header for the work followed by pages that have different weight single, broken or hatched lines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Odes / Lengelle, Martial., 1983

 Item
Identifier: CC-37865-39745
Scope and Contents

The book consists of a header for the work followed by pages that have different weighted single, broken or hatched lines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

One Hundred Days in a Year / O'Conner, John J., 2005

 Item
Identifier: CC-44267-46397
Scope and Contents

The artist uses a complex color coding system for his abstract images to convey words and sentences about a topic. He discusses this system for every artwork depicted in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

One Woman Show Dec 1s - Dec.15 / Ono, Yoko., 1971

 Item
Identifier: CC-05094-5193
Scope and Contents

This is an exhibtion catalogue for an exhibitiin that dis not take place. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

original, artist's books, editions, catalogues, ephemera / Nannucci, Maurizio., 2009

 Item
Identifier: CC-49254-70296
Scope and Contents

This proovides a price list for Nannucci's works includung typewriter poems. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Os Bancos antes da Nacionalizao / Aragao, Antonio., 1975

 Item
Identifier: CC-24820-25273
Scope and Contents

The book is composed of words and images relating to a small table or stool. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

osservazione critiche sulla funzione del nervo ottico nella semiotica dell'arte / Frangione, Nicola., 1977

 Item
Identifier: CC-36212-37999
Scope and Contents

Pages are black alternating with white and without text or image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977