Exhibition was curated by Kathleen Cullen and Robert Mahoney. -- Source of annotation: Marvin or Ruth Sackner.

Dyar has written on the cardboard base, "Rocks, dirt & photos as mail art." -- Source of annotation: Marvin or Ruth Sackner.

Dyar has written on the cardboard base, "Rocks, dirt & photos as mail art." -- Source of annotation: Marvin or Ruth Sackner.

The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.

The edition consists of 250 signed and numbered copies and 50 copies that are unsigned and unnumbered. Each page depicts a black and white photograph of one of Diacono's conceptual works. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive purchased the maquette for the artist book, La Chasse Spirituelle, from this exhibition and also holds the following: L'Art en Ciel; Le Voyage de Gulliver; De la Meca-esthetique; Les Cris de l'Ecrit; La Chasse Spirituelle; Concerto pour Oeil et Oreille; Natalie et Justine. The duplicate copy is signed but not inscribed. -- Source of annotation: Marvin or Ruth Sackner.

In terms of width, this publication is the "fattest" periodical in the Archive. The emphasis is on Swedish poet/artists and Swedish translations of American publications. Photographs of several publications or art pieces held by the Sackner Archive are reproduced in this issue, Cavefors' Pasen, Neshat's photograph, McCaffery's Carnival, Bernstein's Veil, and Drucker's Word Made Flesh. Note: Berndt Petterson who is one of the featured poets in this issue died in 2002 (1930-2002). Includes an essay by Jesper Olsson on visual poetry who gifted the Sackner Archive with this issue. -- Source of annotation: Marvin or Ruth Sackner.

Alchemy is invoked to emphasize transformation, the breathing act, and labyrinths as a means of symbolizing their physical properties. Alchemy has three modes of content, viz. 1) physical: to be in rhythmic motion, e.g. either breathe or die, 2) volitional: oscillation between desire to create (expiration) or to be immortal (inspiration), 3) spiritual: derives from breathing (latin = spiritus) and no religion, philosophy or ideology can exist devoid of the notion of spirit. -- Source of annotation: Marvin or Ruth Sackner.

Rinder writes in an introductory essay that Jochen Gerz, aka The Berkeley Oracle, "in homage to the questioning spirit of Berkeley in the 1960's, invited questions to be posted on a web-site, hosted simultaneously by the Berkeley Art Museum and the Center for Art and Media...Gerz' piece alludes to the Oracle at Delphi..In the spring of 1998, Gerz selected approximately forty questions from the Berkeley Oracle, printed them out, and placed them in various locales around the Berkeley Art Museum. Some were installed in the galleries, along side works of art, while others were tucked away in unexpected places." The questions are reproduced, one to a single sided transluscent page in this book. The printed red lettered sentences on translucent paper are philosophical questions that might be answered by an oracle. -- Source of annotation: Marvin or Ruth Sackner.

The box is an empty Bartons Chocolate box with several layers of packing material. The work demands an answer to the question of the significance between Boolean theory and chocolate. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive included a "Time Column" in which colored bulbs are synchronized with electronic sounds; this was donated to the Miami Art Mujseum. -- Source of annotation: Marvin or Ruth Sackner.