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Conceptual art

 Subject
Subject Source: Lcsh: Library Of Congress Subject Headings

Found in 1026 Collections and/or Records:

Twilight Horizons / Fulton, Hamish., 1983

 Item
Identifier: CC-11798-12017
Scope and Contents

A visual, poetic representation of "a twenty day walking journey from Dumre to Leder in Manang and back to Pokhara by way of Khudi." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Two Towers / Rosen, Kay., 1991

 Item
Identifier: CC-03449-3505
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Um Nicht Zu Sagen: Ganz Zu Schweigen Von / Ulrichs, Timm ; Houedard DS ; Schwitters K ; Hausmann R ; Garnier P., 1968

 Item
Identifier: CC-52385-73508
Scope and Contents

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. Participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Um Nicht Zu Sagen: Ganz Zu Schweigen Von / Ulrichs, Timm ; Houedard DS ; Schwitters K ; Hausmann R ; Garnier P., 1968

 Item
Identifier: CC-52386-73509
Scope and Contents

The pages of this book were printed on different stock and with several inserts among which a printed envelope in which 3 pieces of toilet paper with the printed text: 'landestheater hannover'. - First edition. Published on the occasion of an evening 'text- und aktionsabends ii' organized by Anastasia Bitzos. participating artists were:Claus Bremer, Rolf Geissbühler, Julien Blaine, Jean-Francois Bory, Reinhard Dohl and Timm Ulrichs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Un Coup De Des Jamais N'Abolira Le Hasard: Image / Mallarme, Stephane ; Broodthaers, Marcel., 1969

 Item
Identifier: CC-23416-23860
Scope and Contents

Broodthaers cancelled text of poem with solid black rectangles to emphasize the typographical design of the poem. The images are printed on opaque paper in this ordinary edition. The cover and page layout follow the 1914 revised version of the poem printed after Mallarme's death but the version he preferred. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Un Coup De Des Jamais N'Abolira Le Hasard: Sculpture / Mallarme, Stephane; Pichler, Michalis., 2010

 Item
Identifier: CC-55312-9999062
Scope and Contents

This presentation is derived from Broodthaers conception of cancelling the lines of Mallarme's poem with solid black printed rectangles. A photograph of its installation in the Rodeo Gallery, Istanbul is stored in the box. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Una Cosa Sola / Finotti, Carlo., 1978

 Item
Identifier: CC-11347-11563
Dates: 1978
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Uncompleted: The Philippe Meaille Collection / Art & Language., 2014

 Item
Identifier: CC-62101-10004494
Scope and Contents Art & Language Uncompleted offers a detailed view of one of the most complex aesthetic identities of the postwar era. A major influence on the development of Conceptualism, Art & Language was founded in the UK in 1967 but by the early 1970s had expanded into an international collaboration involving artists such as Terry Atkinson, Joseph Kosuth, Philip Pilkington, Kathryn Bigelow and Michael Corris; between 1968 and 1982, about 50 people were actively associated with the group. The literary character of the group, exemplified in its legendary publication, Art-Language, challenged the power of the institution to generate and circulate artistic research. Art & Language Uncompleted, the most comprehensive publication on the work of this crucial group, draws from the Philippe Meaille Collection of Art & Language works at MACBA in Barcelona, which includes more than 800 works. Marvin Sackner met Philippe Meaille in Chinon France who gave him this book. -- Source of...
Dates: 2014
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Undervejs / Hendricks J ; Silverman G ; Silverman L ; VanDerMarck J ; Boltanski C ; Brecht G ; Buren D ; Cage J ; Johnson R ; Kaprow A ; Koepcke A ; Kosuth J ; Ray M ; Nauman B ; Nitsch H ; Oldenbourg S ; Ono Y ; Rauschenberg R ; Schneemann C ; Ben ; Vostell W ; Weiner L., 2001

 Item
Identifier: CC-39509-41467
Scope and Contents

Gilbert Silverman contributed an introductory essay "Instruction Drawings." The curators, Jon Hendricks and Gunnar B. Kvaran, wrote about the history of 'sketch paintings' in their introductory essay. Jan Van Der Marck in an depth essay deals with the relationship of conceptual art to fluxus in the Silverman collection. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Une image differente dans chaque oeil/A Different Image in Each Eye / Janssens, Ann Veronica., 1999

 Item
Identifier: CC-35218-36952
Dates: 1999
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Une Nativite / Garnier, Pierre., 1988

 Item
Identifier: CC-09941-10138
Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Une retrospective 1967-2000 / Rabascall, Joan., 2003

 Item
Identifier: CC-49401-70446
Scope and Contents

The works in the Monument a la Television series are similar to the Chernobyl sculpture in the Sackner Archive. This work was supposed to be included in the exhibition but was deemed too fragile to travel. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Unpainted Landscape, The / Cutts S ; Williams J ; Clark TA ; Finlay IH ; Long R ; Tremlett D ; DeVries H ; Ackling R., 1989

 Item
Identifier: CC-00926-950
Dates: 1989
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

Unreasonable Simulacrum/Interrogation Point / Weinhardt, Seth., 1985

 Item
Identifier: CC-40928-42905
Dates: 1985
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Untitled] / Alfano, Carlo ; Chiari, Giuseppe ; Griffa, Giorgio ; Nannucci, Maurizio., 1980

 Item
Identifier: CC-24530-24983
Dates: 1980
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

untitled / Andre, Carl., 1976

 Item
Identifier: CC-51209-72297
Scope and Contents

This in one of several rubberstamped prints published as a series by Parisol Press. Andre rubberstamped the number 0220 on the blank paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Untitled] / Anselmo, Giovanni., 1972

 Item
Identifier: CC-24665-25118
Dates: 1972
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Untitled] / Arakawa., 1969

 Item
Identifier: CC-24822-25275
Dates: 1969
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Untitled] / Arakawa., 1984

 Item
Identifier: CC-24825-25278
Dates: 1984
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

[Untitled] / Arakawa., 1971

 Item
Identifier: CC-26628-27098
Dates: 1971
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry

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