The card is addressed to the Sackner Archive with America spelled in the Cyrillic alphabet. The card recto is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive on a computer generated label. The card recto is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in a fine calligraphic script. The recto is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive with blind letterpress capital letters. The card recto is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in Liversidge's right-handed, printing (he normally writes left-handed). The recto of the card is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in block printed handwriting, over painted with tones of grey. The recto of the card is blank. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in printed handwriting. The recto of the card reads, "Darkness is the cover for all kinds of evil on the North Montana Plains." -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in block printed handwriting, over- painted with tones of blue and green. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to the Sackner Archive in hand printed writing, with different colors for each word. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed without a message. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed without a message. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed without a message. The card is addressed with letters using the Albanian alphabet with a resemblence to English spelling but was delivered correctly to the Sackners' Miami Beach address. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. R. Prost has a web site that shows this works among others as well as animations and book works - http://www.r-prost.com/ -- Source of annotation: Marvin or Ruth Sackner.

The installation titled "When You See This" in the Projects room of MoMA consisted of twenty-five samplers designed and handmade by the artist. They refer to modernist or contemporary artists with thematic and rhythmic currents connecting the works.The sampler's educational value appeals to Reichek who selected alternative and disruptive text. Artists referred to include Andy Warhol, Ad Reinhardt, Jasper Johns, Chuck Close, Barbara Kruger, Jenny Holzer and Jackson Pollock. Combined with quoted texts of Freud, Colette, Hawthorne, Darwin, Dickens and Maurice Saatchi, the work is a rich, heterogeneous and contradictory melange of historical and fictional subjects. The Sackners saw this exhibition at MOMA. -- Source of annotation: Marvin or Ruth Sackner.

The cover and all the white pages are blank perhaps as a metaphor for the poem printed on the inside covers, viz., 'white is superabundance.' This is the second revised edition of the book. The first edition of 120 copies was published in 1960/1961. -- Source of annotation: Marvin or Ruth Sackner.

The cover and all the white pages are blank perhaps as a metaphor for the poem printed on the inside covers, viz., 'white is superabundance.' This is the second revised edition of the book. The first edition of 120 copies was published in 1960/1961. -- Source of annotation: Marvin or Ruth Sackner.