Skip to main content

Abstract expressionism

 Subject
Subject Source: Sackner Database

Found in 74 Collections and/or Records:

the eschenau summer press & temporary travelling press publi: eigenblut. No.56 / Herman de Vries., 2008

 Item
Identifier: CC-49445-70491
Scope and Contents

The English translation of the title is "own blood; the abstract image of this print has been done with de Vries' own blood. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

The Myth of Nouveau Realisme Art and the Performative in Postwar France / Cabanas, Kaira ; Aragon L ; Artaud A ; Barthes R ; Brau JL ; Breton A ; Cage J ; Cesar ; Debord G ; Derrida J ; Duchamp M ; Filliou R ; Hains R ; Isou I ; Tinguely J ; Jorn A ; Klein Y ; Lebel JJ ; Lemaitre M ; Malevich K ; Mallarme S ; Mathieu G ; Perec G ; Queneau R ; Rauschenberg R ; Restany P ; Spoerri D ; Rotella M ; Villegle J ; Williams E ; Wolman G ; Dufrene F ; Jouffroy A ; Tapie M ; Arman., 2013

 Item
Identifier: CC-56499-9999903
Scope and Contents Amazon.com: On October 27, 1960, art critic Pierre Restany named a group of Paris-based artists the "Nouveaux Realistes" (New Realists) in a founding declaration that stated, "The New Realists recognize their collective singularity. New Realism = new perceptual approaches of the real." Besides Restany, this group included Arman, Francois Dufrene, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely, and Jacques Villegle. Their work incorporated consumer objects and new media in response to the postwar period's painterly modes and its burgeoning consumer and industrial society. However, they did not share a common avant-garde strategy.The Myth of Nouveau Realisme is a critical reassessment of this important neo-avant-garde movement. Kaira M. Cabanas offers an interdisciplinary account of their work and challenges the ideas of Restany, who mandated a "direct appropriation of the real." Cabanas posits that, for the Nouveaux Realistes, realism engaged...
Dates: 2013
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

The New World Odor / Hirschman, Jack A.., 1991

 Item
Identifier: CC-09236-9417
Scope and Contents

Hirschman contrasts the narrow demands of government with the freedom of making art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

This is Visual Poetry. No.69/Mar / Desmond Kon Zhicheng-Mingde., 2011

 Item
Identifier: CC-55585-9999208
Scope and Contents Desmond Kon Zhicheng-Mingde adores Jackson Pollock. He first conflated Cubist and Abstract Expressionist sensibilities in "One Line About the Sea", a mixed media canvas of charcoal, graphite and metal he created for the closing event of the Singapore Writers Festival in 2009. An interdisciplinary artist, Desmond also works in clay, his commemorative pieces housed in museums and private collections in India, the Netherlands, the UK and the US. He has edited more than ten books and co-produced three audio books, several pro bono for non-profit organizations. He sporadically works on an on-going project of recasting his early 1990s illustrations into what he calls Linearte Poems. Desmond says: "In 2005, I subjected myself to several bouts of binge drinking to achieve more authentic streams of consciousness. Fragments written during that time appear in these images, which cast the poetic line against the geometric. There are allusions to drip painting but made angular and planar....
Dates: 2011
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Thoroughly modern master / Ure-Smith, Jane; Phillips T., 2004

 Item
Identifier: CC-42313-44323
Scope and Contents

Tom Phillips comments on El Greco's paintings at an exhibition held in the National Portrait Gallery. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Tic Douleureux / Murphy, Mike., 1970

 Item
Identifier: CC-49571-70619
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Tired uv Bein Sane batty / Sloy., 1998

 Item
Identifier: CC-29096-30440
Scope and Contents

The drawing forms one surface of a postcard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Torque: maximum rotation ephemera series: theverticalisad.... No.1.3/Mar / Beth Learn., 1995

 Item
Identifier: CC-37608-39465
Scope and Contents

This issue is a supplement to Torque 1.3 that is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Typewritings abc... + nop... [GE22] / Evason, Greg., 2003

 Item
Identifier: CC-56480-9999887
Dates: 2003
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Behar, Zachary Sackner., 2002

 Item
Identifier: CC-38821-40735
Scope and Contents

This drawing was done by Zachary Behar in honor of his grandfather Marvin Sackner's 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[Untitled] / Straus, Austin., 1993

 Item
Identifier: CC-28555-29840
Scope and Contents

The image has a graffetti-like appearance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1993
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

[untitled] / Thibert, Bernard., 1983

 Item
Identifier: CC-60654-64560
Scope and Contents

Most pages consist of abstract expressionistic images reminiscent of Jackson Pollack's style. This might have been a student work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Work In Progress on Bridge Piers / Finlay, Ian Hamilton; Stirling, Annet; Berman, Brenda., 1990

 Item
Identifier: CC-12210-12434
Scope and Contents

This card depicts a color photograph on its verso of a calligraphically carved stone sculpture being sited near a bridge in Glasgow and a photographic reproduction of an abstract expressionist painting by Vladimit Kokolia on its recto. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Zipp Zapp / Keen, Jeff., 1970

 Item
Identifier: CC-32456-34030
Dates: 1970
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Staff Interface | Visit ArchivesSpace.org | v3.5.1 | Send Feedback or Report a Problem