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Abstract markings

 Subject
Subject Source: Sackner Database

Found in 1080 Collections and/or Records:

[Frowning Mona Lisa] / Cejar; Eggemann; Jurgen O. Olbrich., 1988

 Item
Identifier: CC-19304-19687
Scope and Contents

The print is a photocopy of an altered, frowning Mona Lisa by Cejar, the drawing consists of abstract crayon markings by Olbrich and the wooden matches are tied into two bunches with wire by Eggemann. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

[Frowning Mona Lisa] / Cejar; Eggemann; Jurgen O. Olbrich., 1988

 Item
Identifier: CC-19304-19687
Scope and Contents

The print is a photocopy of an altered, frowning Mona Lisa by Cejar, the drawing consists of abstract crayon markings by Olbrich and the wooden matches are tied into two bunches with wire by Eggemann. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Frozen Sky / Bell, Nikki ; Langlands, Ben., 1998

 Item
Identifier: CC-35730-37484
Scope and Contents

The book which can be read left to right or right to left, consists of several pages of three letter acronyms of airports throughout the world arranged in a grid. The size of the type face becomes progressively larger until only one three letter acronym is printed per page. The center section contains curved lines connecting dots, resembling airplane routes between cities. Also included are pages in English and Japanese of descriptive phrases printed in black and white checkerboard blocks. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

gag order / Segay, Serge ; Freeman, Jesse., 2006

 Item
Identifier: CC-45294-47479
Scope and Contents

Freeman was responsible for textural poems and Segay for the abstract markings and punctuation poems in this collaboration. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

GAP: Sha(u)nt Basmajian. / Greg Evason., 1990

 Item
Identifier: CC-10314-10517
Scope and Contents

GAP signifies Guardian Angel Press. This was done as a memorial poem for Sh(a)nt and was taken from "portrait in words." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Ginetics / Cobbing, Bob., 1978

 Item
Identifier: CC-17506-17872
Scope and Contents

Designated folders number twenty-four. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

glossolalie un hallali langage tangage / Cobbing, Bob., 1997

 Item
Identifier: CC-44996-47172
Scope and Contents

This book presents four poems performed by Bob Cobbing in 1964, 1970 and 1979. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Go Book 28 / Armeaux, Jean-Pierre., 1970

 Item
Identifier: CC-53102-74249
Scope and Contents

This is also designated Poetry Newsletter Special Issue (PNSI) # 6. The mimeographed reproductions of woodblock prints that depict progressive dissolution of a solid square on the pages were done by Wally Depew. Two copies are stored in a Wally Depew and another in box booklets A boxes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Go Book 32 / Armeaux, Jean-Pierre., 1970

 Item
Identifier: CC-53103-74250
Scope and Contents

This is also designated Poetry Newsletter Special Issue (PNSI) # 10. The mimeographed reproductions of woodblock prints that depict progressive penetration of a tubular hollow structure into a solid square on the pages were done by Wally Depew. Two copies are stored in a Wally Depew and another in box booklets A boxes. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Go Book: And. No.27 / Wally Depew., 1973

 Item
Identifier: CC-54344-643231
Scope and Contents

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single abstract woodcut image and manipulated it on the pages as one to four juxtaposed images. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

Go Book: Continue. No.32 / Jean-Pierre Armeaux., 1970

 Item
Identifier: CC-54351-643239
Scope and Contents

As with other Depew books, the page count includes the blank side of the page, e.g., 24 leaves equals 48 pages. In this book, Depew has taken a single woodcut black square with a squiggley white tube piercing it and rubberstamped one letter of the title on right edge of each page. The cover depicts a green and red woodcut oolored abstract design on beige papercard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970