Abstract markings
Found in 1080 Collections and/or Records:
[Untitled] / Wool, Christopher., 1998
[Unused Cover Design for Short History of London] / Cobbing, Bob., 1979
The verso consists of a brief note to Jeramy Adler. -- Source of annotation: Marvin or Ruth Sackner.
[Unused Cover Design for Short History of London] / Cobbing, Bob., 1979
vago frontespizio / Fontana, Giovanni., 1990
Variations on a Theme / Cobbing, Bob., 1986
Variations on Typestract / Cobbing, Bob., 1966
Cobbing called the photocopied print process, "monoduplicator prints." This work and others by Cobbing was exhibited in the Destruction In Art Symposium organized by Gustav Metzger and held in Prince Albert Hall in London in 1966. The event was a precursor to the art movement of Situationism. This work was composed by crumpling overtyped printed texts and printing them in black and white on a monoduplicator device as a single copy. These prints were then collaged onto a raised block of masonite then fixed as a grid onto a painted black panel. -- Source of annotation: Marvin or Ruth Sackner.
Verner Von Heidenstam, Nya Dikter / Hodell, Ake., 1967
Vertical Images / Upton, Lawrence ; Cobbing, Bob., 1996
Vestimentiferan / Cobbing, Bob., 1993
Also designated triptych nine. -- Source of annotation: Marvin or Ruth Sackner.
[Visite a l'Ecole Normale] / Tarlatt, Ulrich., 1996
Tarlatt has used a page of French text as the background for an abstract drawing. The text is not related to the drawing. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.11, 2002
Visual Poetry Collaboration. No.12, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.13, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.20, 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.26 / Reed Altemus ; Spencer Selby., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.27 / Reed Altemus ; Spencer Selby., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.28 / Reed Altemus ; Diane Bertrand., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.30 / Reed Altemus ; Diane Bertrand., 2002
Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Original and Translation; pages 138-139 / Weiss, Irving., 1994
This poem is based upon Francesco Berni (1497?-1535), "Passeri e Beccafichi," translated by Lorna de' Lucchi. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; The Imp of the Idling Mind Disfigures Five Stanzas in the Silent Reading of a Long Poem; pages 110--111 / Weiss, Irving., 1994
This poem is based upon Thomas Sackville (1536-1608), from the Induction to A Mirror for Magistrates. -- Source of annotation: Marvin or Ruth Sackner.