Each page is typed with lines of lower case letters a to z and then z to a. Each successive page is over-typed with increasing density such that the additional letters create a moire effect. -- Source of annotation: Marvin or Ruth Sackner.

Bookworks: Very Food is an anthology of recipes, in part reading as an autobiographical stream of consciousness, interwoven with references to food and cooking, and introducing the reader to a witty, arch world of puns and metaphors. The recipes are entered as diaristic memory ¿bites¿ which trigger off anecdotal stories and give glimpses into Ziranek¿s life as an artist and a cook. At the back of the book a glossary contains instructions for the recipes, which can be cooked as well as read. The recipes are punctuated with images: knick-knacks, objects and fabrics from the 1950¿s, collected and photographed by Ziranek as constructed still lives. Ziranek¿s challenging take on the genre of writing about eating goes beyond parody into the universe of the ¿meta-recipe¿ -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by John Deumans. Anne Moeglin-Delcroix contributed an essay on contemporary artist-collectors. -- Source of annotation: Marvin or Ruth Sackner.

Miglietta has composed the text with printed and written letterforms; the size of the letterforms is been rendered conventionally and in a micrographic style. In addition, he utilized abstract symbols. -- Source of annotation: Marvin or Ruth Sackner.

This book presents an explanation of a device which can produce video poems. Examples are also provided in a complex layout construction. F.M. Ruprechter aka Fritz Ruprechter. -- Source of annotation: Marvin or Ruth Sackner.

The printed pages provide minimal descriptions of the photographs, e.g., Girl 5 - 5555 depicts a girl on a videoscreen with four large 5's in white superimposed over her shoulders. -- Source of annotation: Marvin or Ruth Sackner.

Theme makes an analogy to the size of the Ant. -- Source of annotation: Marvin or Ruth Sackner.

Several poems in the book, composed solely from letters, give an appearance of a human figure. -- Source of annotation: Marvin or Ruth Sackner.

This work is divided into a 4 x 8 grid on both sides presumably to be cut into pages for an artist book -- Source of annotation: Marvin or Ruth Sackner.

Tom Phillips designed the cover using a Humument page. Germano Celant contributed an essay, "Artists' Manifestos & Magazines." -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book have been cut from newspapers and magazines. White and red paint has been applied to partially obscure the text and images. -- Source of annotation: Marvin or Ruth Sackner.

Nette's calligraphy is highly stylized and printed as a mirror image in the etchings, nine of which have color additions. The colophon is printed as Nette had written it. -- Source of annotation: Marvin or Ruth Sackner.

Each page of this book depicts curved parallel lines simulating a vortex onto which have been drawn a scant amount of letters and markings. -- Source of annotation: Marvin or Ruth Sackner.

Jackson modified pages from two 19th century books with a photocopier that touch upon feminist issues. Although the book is designated unique, an unknown number of modified copies were printed with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Images include Greta Garbo and others from the Art World. This also appears in a trade edition which is held by the Sackner Archive. The box and handcoloring make this edition unique. -- Source of annotation: Marvin or Ruth Sackner.