Artist book
Found in 2627 Collections and/or Records:
Books, Props, Collages / Share, Susan., 1992
The Sackner Archive lent two books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Books To Burn / Trusky T ; Ingberman J ; Lavater W ; Williams E., 1989
Exhibition was curated by Tom Trusky. The cover and pages are in the the shape of oversize matches. -- Source of annotation: Marvin or Ruth Sackner.
Bookwork, 1992
Bookworks / Satin, Claire Jeanine ; Cage J., 1994
The Sackner Archive lent "Mesostics Book" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Boom Boom / Nichols, Beverly., 1989
Boring Adventures:The Gold and Sold Artist Production / Andryczuk, Hartmut ; Krisstoff, Freddy Flores ; Voss J., 1997
The text of this book appears to be done either as automatic writing or as an adaptation of a cut-up from another text in the style of William Burroughs. Typewritten poems in red color and Spanish poems in black letraset form this text. The stiff pages are taken fom line printers that have regular perforations on the edges. The tipped-in drawings in laminated plastic depict surrealistic figures and abstractions are placed on black stock paper; they appear to be cut-up fragments of larger drawings. A laminated drawing by Jan Voss is tipped-in to the final page. The covers are covered front and back with flame-like design papers. The inside front cover end paper is a psychedelic poster from the movie "Moby Dick." -- Source of annotation: Marvin or Ruth Sackner.
Bound Image / Baines P ; Blamey D ; Cooke C ; Phillips T ; Tilson J ; Watson J., 1988
Boundless, 1983
This a circular book object has a spiral spine completely encircling its cover so that it cannot be opened. This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.
Box 95 / Mekas J ; Maciunas G., 1995
The exhibition consisted of an international collection of artists' suitcases and boxes, often holding visual/verbal material. -- Source of annotation: Marvin or Ruth Sackner.
Bra vs Bra / Sharpe, Leslie., 1989
Braille Book / McCarney, Scott., 1990
The book consists of braille pages altered with perforations and collaged with offset texts. -- Source of annotation: Marvin or Ruth Sackner.
Breathing Both Sides, 1990
Commissioned for "The Beauty in Breathing" exhibition, this book object has panels on its sides which jut out that can be moved to and fro much like swimmers use their arms. The top has panels which lie flat as they are flipped, perhaps analogous to the legs. Both text and images are photocopied fragments from books which deal with instructions of methods of breathing during swimming; these have been collaged onto the panels. -- Source of annotation: Marvin or Ruth Sackner.
Breathing in the Copy-Rhythem / Olbrich, Jurgen O.., 1990
Commissioned for "The Beauty In Breathing" exhibition. These prints were made on a color photocopier by breathing through a plastic bag placed onto the machine for 30 minutes. This produced variable light leaks and abstract images. -- Source of annotation: Marvin or Ruth Sackner.
Breitenbrunn Bild Buch: Wechselnd Schatten. No.1 / Dieter Goltenboth., 1970
Breitenbrunn Bild Buch: Zerbrochen. No.2 / Dieter Goltenboth., 1970
Bridges Of Skin Money (Deluxe Edition), 1986
This copy has a unique, recycled hard cover binding. -- Source of annotation: Marvin or Ruth Sackner.
Brno Na Bidykj Srpen / Sorgel, Hartmut., 1989
The title translates to Brno on the chickenstair. The drawings appear to be unique works not prints or drawings. The poem is printed in Czech on the inside covers of the folder and translated to German on three unbound photocopied pages. -- Source of annotation: Marvin or Ruth Sackner.
Broken Monkeys / Conant, Jeff., 1994
Brown Mask Book, 1987
Each page is shaped like a head and the features are cut, collaged or ripped. Corrugated pages alternate with paper pages and on the latter, a poem is typed in the shape of eyes, nose and mouth. -- Source of annotation: Marvin or Ruth Sackner.
Bruchstuck 16 / Wagner, Dieter., 1983
In this book, Wagner cancelled most of the text from Goya's Suite 19 of "The Disasters of War." -- Source of annotation: Marvin or Ruth Sackner.