Evelyn Mayerson presented this work to Marvin Sackner after the death of his mother, Goldie. In it Mayerson pasted selected pages from her novels pertaining to the aging or dying of her characters. She described the situation and emotion in handwritten text at the bottom of the pages. -- Source of annotation: Marvin or Ruth Sackner.

Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.

Reif reviews an exhibition of bookbindings at Ursus Books, New York City. Sonia Delaunay's book, "Prose du Transiberian," a work held by the Sackner Archive is mentioned. -- Source of annotation: Marvin or Ruth Sackner.

Internet: For Michel Meyer, everything started in the mid 1980s when he founded the multimedia group Wonder Products with fellow artists from the Beaux Arts School of Paris. The group produced avant-garde video art and staged art performances with multi screen displays that were shown in numerous international festivals. Its most famous events were an exhibition art the modern Art Museum of Paris and a series of performances at the Theatre de la Bastille. Naturally, Michel got interested in CGA graphics from the start and was one of the first French directors to work with digital 3D and 2D techniques with companies like Ex Machina, Sogitec or Mc Guff. -- Source of annotation: Marvin or Ruth Sackner.

Internet: For Michel Meyer, everything started in the mid 1980s when he founded the multimedia group Wonder Products with fellow artists from the Beaux Arts School of Paris. The group produced avant-garde video art and staged art performances with multi screen displays that were shown in numerous international festivals. Its most famous events were an exhibition art the modern Art Museum of Paris and a series of performances at the Theatre de la Bastille. Naturally, Michel got interested in CGA graphics from the start and was one of the first French directors to work with digital 3D and 2D techniques with companies like Ex Machina, Sogitec or Mc Guff. -- Source of annotation: Marvin or Ruth Sackner.

The text is written in several calligraphic styles. This book is based upon the poems by Igor Vishnevsky -- Source of annotation: Marvin or Ruth Sackner.

Each page of this book depicts a different form of communication: hieroglyphs, music, Braille, mathematics, language and the manual alphabet for the deaf that has been assembled from printed materials. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a grid or lines of calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

This is a compendium of contemporary prints, artist books, portfolios, and book objects mainly from Germany but also from England and America. Includes profit and non-profit centers. Well illustrated with examples from the various presses. Includes works of several presses that are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

These are the first proof pages of book which was underwritten by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was sponsored by the Pacific Center for the Book Arts and consisted of books submitted by American letterpress printers. Several books in this exhibition are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Kocman pulped the book "Videvdat" and used the paper pulp to create new thicker pages of handmade paper. The title refers to Zoroastrianism, an ancient religion. The VidÄ“vdāt, or Vendidad ("Law Rejecting the Daevas"), consists of two introductory sections recounting how the law was given to man, followed by 18 sections of rules.... -- Source of annotation: Marvin or Ruth Sackner.

Theme deals with feminist suppression. -- Source of annotation: Marvin or Ruth Sackner.

Two sections of the book have several pages pasted together that create a base for two collages. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book appears to be Mickey Mouse with silhouettes of his head depicted on several pages. Calligraphic markings that resemble a grid of words are overwritten in ink, and, white, red, and black paint on pages which appear to have been appropriated from a commercial publication in ink and in white, red, and black paint. The binding for this book is a Neo-Dada tour de force. The top and foredge are curved and thick gobs of black, green and red paint are spread over the black, yellow and red painted canvas that overlay the covers of the book. The centers of both covers are perforated for irregular diamond-shaped translucent plastic windows. Garcia-Mulet and Knoderer's names are written on the front cover and "Free Book" on the back cover. -- Source of annotation: Marvin or Ruth Sackner.