This copy of the book (A) has all five original typings used in the book that describes and relates Chopin's typings to sound poetry. The accordion pamphlet entitled 'Canto Solaire' is a sound poetry score. Note that of the 160 other copies, 10 contain one original typewriter poem. -- Source of annotation: Marvin or Ruth Sackner.

Each page has a calligraphic line drawing involving variations on the letter "f" related to a typed caption beginning with the letter "f" above it, e.g. "as facet, as fake, as fanfare, as fantasia, as fastback, as fauvist, as fear, as fetish, etc." The style is reminiscent of Dieter Roth's speedy drawings. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing"-book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

According to a personal communication from Jurgen Olbrich, the "Nothing" book constituted a series of 23 books, initially the same book with blank pages, but each one treated in a different way. They are numbered but not signed (as you cannot sign nothing). They are from the same period of his work around 2002 - 2005. -- Source of annotation: Marvin or Ruth Sackner.

The images deoict reddish orange squares with centered varied colored circles. -- Source of annotation: Marvin or Ruth Sackner.

The images depict muted pink squares with centered red and pink colored circles. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was made for Linda Bandt Depew. The images consist of black squares with varied colored circles in their center. Numbers 1 through 8 stamped on several pages. The meaning of the title is not clear - there is not a definition on the internet. -- Source of annotation: Marvin or Ruth Sackner.

The images on the pages is a study in orthographic mutation. In a letter to the Sackners, curry indicates that the book is in fine shape except for "a coupla small cannabis resin stains on 2 pp (where yr thumb would go)... -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several colored, photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several, colored photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

According to Hirschman, the title derives from four Mayan words: Nup=unite(d), Chal=mend, sew together, Han=clear, clean, Buk=heart. He thought of this as a marraige gift since the words can be read as Nuptial Handbook. -- Source of annotation: Marvin or Ruth Sackner.

This piece was included in Revue Ou No.28-29, a bookwork also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts typical imagery of Seille's work, viz. surrealistic, impossibly constructed, human figures, automatic handwriting in different calligraphic styles, lists of numbers and labels unrelated to image or text are present in the book and on two facing pages which depict the lungs as one to four chambers in five pseudo-humanistic figures. Although the obsessive calligraphy and strange visual imagery resemble artwork done by artists in mental institutions (outsiders), Seille is not an outsider. -- Source of annotation: Marvin or Ruth Sackner.