Each page has collaged onto it one or more of the calligraphic texts written on paper, graph paper, or printed pages taken from a book. None of the pages of varied colored stock in this book have been solely treated by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This collection contains materials from conservator and book artist Pamela Spitzmueller. It includes Pam’s bookbindings, conservation work (including Harvey's 1628 De motu cordis and the Nag Hammadi codices), research notebooks, personal journals, correspondence, and book arts scholarship. The collection also has records and keepsakes pertaining to the Paper and Book Intensive (PBI) and the Guild of Book Workers (GBW).

Kocman requested the Sackners to send him five paperback copies of Kafka's novel "The Metamorphosis" and that he would return a surprise to them. The novel describes the tribulations of Gregor Samsa who as he "awoke one morning from uneasy dreams found himself transformed into a gigantic insect..." Kocman took the books that the Sackners had sent him, pulped the pages and formed handmade paper pages bound them into a book literally metamorphosizing "The Metamorphosis." This work was exhibited at the Agnes Scott College Gallery, Atlanta, January 2001. -- Source of annotation: Marvin or Ruth Sackner.

The sleeve pages are folded to provide an edge that hides rubberstamped images in some of the infoldings. The cut horizontal aspects to the pages give rise to a chance poetry. -- Source of annotation: Marvin or Ruth Sackner.

Gerard made the paper for Warnke's book, "Numeralien," an artist book held by the Sackner Archive. Warnke contributed an essay documenting how this was accomplished. -- Source of annotation: Marvin or Ruth Sackner.

The artist probably used papers that previously were in contact with food, possibly chocolate or cookie dough, because a lucious, lingering odor matches the richness of the brown, translucent pages. -- Source of annotation: Marvin or Ruth Sackner.

Cole comments: "A collaborative visual poem... in the series of color Kodak prints (slightly reduced) of the original/master. Para'de was exchanged through the mail numerous times between the two artists and was the culmination of a linguistic discussion of the root 'para.' Para'de is completely collaborative in-so-far as it was treated as a single canvas and was painted in visual (non-literary) order. The piece grew in layers and rhythms." -- Source of annotation: Marvin or Ruth Sackner.

Susan King gave this folder to each participant in the Getty Summer Institute "Reading and the Art of the Book" during a tour of Paradise Press. -- Source of annotation: Marvin or Ruth Sackner.

An unsigned edition of this book is included in the anthology, Tau/ma No.3, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Theme of book involves homosexuality. -- Source of annotation: Marvin or Ruth Sackner.

Article is adapted from author's presentation at the Artists' Books Conference, Boston 1985. -- Source of annotation: Marvin or Ruth Sackner.

The theme of each page is a word beginning with para-. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes an introductory essay by Mirella Bentivoglio. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is a reproduction of Rostek's passport that he has altered. -- Source of annotation: Marvin or Ruth Sackner.

Printed by Jaipur Printers, Jaipur, India. -- Source of annotation: Marvin or Ruth Sackner.

The book is heavily painted, tied with string and textured and cannot be opened.The spine reads "Sizzle Splat." The back cover has the word "fini." The envelope lists Winter Projects 1990 - 2010 and contains a felt disc on which is collaged a round papercard with a poem by Bart. -- Source of annotation: Marvin or Ruth Sackner.

Letraset letters are used to form human-like figures donned in outer space garb. -- Source of annotation: Marvin or Ruth Sackner.